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BILL RODRIGUEZ
Latest Articles
Wilbury’s Elaborate Entrance of Chad Deity
Wrestling mania
There's a terrific surprise awaiting theatergoers willing to venture beyond the usual Trinity and off-Trinity environs, into the outskirts of darkest Olneyville.
By:
BILL RODRIGUEZ
| February 06, 2013
PC stages Tony Kushner’s The Illusion
This is your life (maybe)
Politicians want to talk about politics, fishmongers about fish, and it's no wonder the playwrights want to talk about theater.
By:
BILL RODRIGUEZ
| February 06, 2013
Review: Bonefish Grill
A well-polished and very tasty link
There are chains that give chain restaurants a bad name, that think earned popularity can be franchised.
By:
BILL RODRIGUEZ
| February 05, 2013
2nd Story’s masterful Amadeus
Music and madness
Poor Antonio Salieri. Try as he might to make his compositions sound more Germanic, the Lombardy-born court composer was forever grouped with other Italians in their suspected nefarious cabals.
By:
BILL RODRIGUEZ
| January 29, 2013
Ocean State Theatre Company’s Fools
Simon being simple
Neil Simon's comic fable Fools is getting a talented and chuckle-packed production by Ocean State Theatre Company (through February 10), which might have mildly annoyed the playwright if he knew.
By:
BILL RODRIGUEZ
| January 29, 2013
Review: Uncle Jo Jo’s Pizza & Pasta
Bountiful simplicity
Since there are more Italian restaurants on Federal Hill than potholes on Providence sidestreets, it's easy for newcomers without favorite spots to just go home and order Chinese delivered.
By:
BILL RODRIGUEZ
| January 22, 2013
The Gamm’s majestic Anne Boleyn
A delightful dervish
The Gamm Theatre has pulled off a couple of coups.
By:
BILL RODRIGUEZ
| January 22, 2013
Trinity Rep’s Crime and Punishment
The Devil inside
As voluminous Russian novels go, none could be boiled down to a 90-minute stage adaptation with unsurprising economy as well as Fyodor Dostoyevsky's Crime and Punishment , which Trinity Repertory Company is proving with authority and imagination (through February 24).
By:
BILL RODRIGUEZ
| January 23, 2013
Million Dollar Quartet rocks at PPAC
The Fab Four
A jukebox musical is a pretty low-concept idea, no matter how entertaining the production might turn out.
By:
BILL RODRIGUEZ
| January 22, 2013
Review: The Square Peg
From snacks to burgers, less is more
Have you ever opened an elaborate menu at a nice restaurant and, deciding you're not up for a big meal, just pick a snack?
By:
BILL RODRIGUEZ
| January 08, 2013
Jekyll & Hyde at PPAC
The beast within
There is something to admire as well as eye-roll about melodrama, with all its inflated emotions and brake-squealing plot turns.
By:
BILL RODRIGUEZ
| January 02, 2013
From Rhinoceros to Metamorphoses to Amadeus
Raise the Curtain
A goofy spoof of King Arthur and his merry men, and an appreciative take on one of the wives of Henry VIII.
By:
BILL RODRIGUEZ
| December 26, 2012
Ocean State Theatre Co.’s SantaLand Diaries
Ah, humbug
It takes a brave performer to take on SantaLand Diaries , since it launched the career of David Sedaris when he read a shorter version of this droll account on NPR 20 years ago.
By:
BILL RODRIGUEZ
| December 18, 2012
From Venice to Memphis to Avenue Q: Looking back on local theatre in 2012
Curtain call
Let's not fight. You might like only Shakespeare and restoration comedies, and I might take pride in seeing Cats 99 times.
By:
BILL RODRIGUEZ
| December 18, 2012
Epic Theatre Company’s Passion Play
Life writ large
Sarah Ruhl's Passion Play has epic scope for such a focused subject — those medieval pageants about the suffering of Jesus Christ.
By:
BILL RODRIGUEZ
| December 12, 2012
Brown/Trinity Rep MFA’s Machinal
A tragic trajectory
Staging period plays might be an effective way of presenting a history course, if the inaccuracies in choices like Saint Joan and The Lion In Winter were corrected.
By:
BILL RODRIGUEZ
| December 12, 2012
Memphis tears down the house at PPAC
The soul of a city
There are worse concerns in America's history of racial inequities than a white DJ getting eyerolls for playing black music. Nonetheless, the musical Memphis will tick you off about the foolishness anyway.
By:
BILL RODRIGUEZ
| December 05, 2012
Trinity Rep’s The How and the Why
Passion and polemics
Judging from the subject matter of The How and the Why , which Trinity Repertory Company is staging through December 30, you'd think that playwright Sarah Treem's successful latest work would be more of feminine than feminist concern, dismissing half of its audience.
By:
BILL RODRIGUEZ
| December 05, 2012
2nd Story’s affecting Lost In Yonkers
Not-so-simple Simon
Write about what you know is one of the first admonitions given to rookie writers, and few have heeded it better than Neil Simon.
By:
BILL RODRIGUEZ
| November 27, 2012
Review: Federal Hill Pizza
It’s in Warren. Go!
No, Federal Hill Pizza was not driven into Warren exile by the envy of its Italian restaurant competitors on Providence's Federal Hill.
By:
BILL RODRIGUEZ
| November 27, 2012
Epic’s unsettling Mr. Marmalade
An act of imagination
Is Mr. Marmalade dark but life-affirming, or life-affirming but dark?
By:
BILL RODRIGUEZ
| November 19, 2012
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Talking Politics
| March 24, 2013 at 11:09 AM
Mo Takes His Turn
March 21, 2013 at 12:59 PM
[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download
| March 18, 2013 at 3:22 PM
See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame
| March 18, 2013 at 11:00 AM
See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM
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