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Review: Dan Wood and Pippi Zornoza at AS220

Fever dreams and fantasies
The giant headline on the poster hanging in the window of AS220’s Project Space proclaims: "Antichrist Is Alive, and a Male Jew, Falwell Contends."
By: GREG COOK  |  September 14, 2010


Fall Art Preview: Heavy construction

Boston museums take off their hard hats
Over the past decade, museum building has boomed across the region.
By: GREG COOK  |  September 14, 2010


Review: The Addison Gallery returns

Welcome back
Closed for two years of renovation and expansion, the Addison Gallery of American Art at Phillips Academy reopened this past Tuesday with "Inside, Outside, Upstairs, Downstairs: The Addison Anew," nearly 400 greatest hits from its great collection.
By: GREG COOK  |  September 08, 2010


Worst Public Art Manifesto No. 1

Taking the stuffing out of stuff we have to look at
Long-term public art has a greater responsibility to the community, to the public, than regular gallery art.
By: GREG COOK  |  September 13, 2010


Treasure trove

'Pictures from the Hay' and Alison Owen's 'Divisibility'
Visiting "Pictures from the Hay" is like rummaging through your grandparents’ attic . . . if your grandparents are amazingly curious, incredibly well-connected, and fabulously well-to-do.
By: GREG COOK  |  September 07, 2010


Review: A venerable collection returns to Marble House

American Gothic
Medieval artists got so much wrong. But it's a wrongness that ends up being vigorously right.
By: GREG COOK  |  August 31, 2010


Bleak houses, cute creatures

Antoniadis and Stone at Fourth Wall, plus 'Little Critters' at the Nave
Antoniadis and Stone at Fourth Wall, plus 'Little Critters' at the Nave
By: GREG COOK  |  August 26, 2010


Peter Max's pop life

The artist on fame, Andy Warhol, and the 'complete freedom' of his expression
Peter Max rocketed to fame as one of the iconic psychedelic artists of the late '60s.
By: GREG COOK  |  August 18, 2010


Review: William Steig's gentle genius

Sweet curmudgeon
Is anything more delicious than being naughty? That might be the moral of William Steig's 1990 kids' picture book Shrek! — if Shrek! were the kind of story that has a moral.
By: GREG COOK  |  August 18, 2010


AS220 at 25

A lively oral history of Providence's artistic Mecca
You might say it all began with a thumbs-down review of an art exhibit by Umberto Crenca. To Bert and his friends, it was just one more example of how they were excluded by the art establishment.
By: GREG COOK  |  August 13, 2010


Cultural studies in Newport

'Surf Island' and 'The Japan Craze' at Newport Art Museum
Jason Evans's bread and butter is commercial sports photography, shooting the likes of Tiger Woods, Alex Rodriguez, and tennis stars Roger Federer, Venus Williams, and Lindsay Davenport.
By: GREG COOK  |  August 11, 2010


Tracking time

Mark Ruwedel at PEM, Jerome Liebling at the Currier
The tracks run side by side across cracked, dried mud. But this black-and-white photo by Mark Ruwedel is deceptive.
By: GREG COOK  |  August 03, 2010


Remain in light

Linda Connor's sacred 'Odyssey' at the RISD Museum
In the late 1970s, Linda Connor began photographing sacred sites.
By: GREG COOK  |  July 21, 2010


It's a man's man's world

Charles LeDray at the ICA
Charles LeDray's World's Greatest Dad describes the toughest bastard ever to swagger across the planet.
By: GREG COOK  |  August 03, 2010


Finding art in the oil

Emergency Benefit Dept.
Heide Hatry might not be the first person you'd think of to come out swinging in favor of all the pelicans and turtles screwed by British Petroleum's ongoing sliming of the Gulf of Mexico.
By: GREG COOK  |  July 14, 2010


'Round town: ''Cultivar'' and ''Sleight of Hand''

New works at AS220 and Craftland
Jen Raimondi’s “Cultivar” exhibit turns AS220’s Project Space (93 Mathewson Street, Providence, through July 24) into something of a haunted house, with odd stuff sprouting from bouquets of dried flowers and silicone replicas of human bones.
By: GREG COOK  |  July 23, 2010


New directions

Docu vs. deadpan at the PRC, and new painting at BU’s 808
Listen carefully: is the Photographic Resource Center at Boston University throwing down the gauntlet? "I'm interested in bringing more documentary into the PRC," says Glenn Ruga, who became executive director in February.
By: GREG COOK  |  July 14, 2010


He put a spell on you

An 'unofficial' installation raises questions about what's right and wrong with public art
Brandon Nastanski had e-mailed me a map to his Unofficial Franklin Park Research Outpost, but it's a good thing he met me at the park's Glen Road entrance to lead me in, because I would have never found it on my own. Even when I went back by myself later, I got lost going in, and lost again coming out.
By: GREG COOK  |  July 08, 2010


A familiar strangeness

'Voice Over' at Brown's Bell Gallery
For several years, Woonsocket sculptor Jon Laustsen has demonstrated a curious and original vision with a series of model construction sites that resembled 1/8-scale roller coasters, or perhaps the outer wall of the Providence Place Mall, or a landscape of miniature buildings with one at the end mysteriously torched.
By: GREG COOK  |  July 07, 2010


Unholy contraptions

Tavares Strachan's rockets, plus 'The Boat Show' at Drive By, and 'Sensed, Unseen' at GASP
In Tavares Strachan's video The Rocket Launch (2009), two black men in white chemical suits load sugar cane into the back of a three-wheeled mini-truck, then drive down a palm-tree-lined road to a run-down building labeled Bahamas Aerospace and Sea Exploration Center.
By: GREG COOK  |  June 23, 2010


The Seeker

 Salvatore Mancini’s quest for elemental connections
Salvatore Mancini has photographed factories along the Blackstone River Valley to record a local history of the Industrial Revolution.
By: GREG COOK  |  June 24, 2010

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