The Phoenix
Boston
Portland
Providence
|
WFNX Radio
Live Radio
On Demand
|
About
Blogs
Phlog
On The Download
Talking Politics
Outside The Frame
Laser Orgy
All Blogs
Editors' Picks
Editors' Picks
All Listings
News
News Features
Politics
Editorial
Flashbacks
Sports
News Blog
Cover Archive
Music
Find...
Concerts
Music Features
Reviews
Albums
Music Blog
Band Guide
Movies
Movie Features
Movie Reviews
Film Blog
Contests
Food + Drink
Find...
Restaurants
Dining
On The Cheap
Bars and Drinking
Arts & Entertainment
Find...
Theater Events
Comedy Shows
Readings
Museums & Galleries
Comedy
Books
Dance
Theater
Television
Video Games
Photos
Horoscope
Contests
Puzzles
Comics
Failure
Big Fat Whale
Hoopleville
IdiotBox
The Best
All Authors >
PETER KEOUGH
Latest Articles
Review: Higher Ground
Farmiga's directorial debut
True to the film's title, Vera Farmiga tries to elevate the bitter dialogue between secularism and fundamentalism to higher ground, regarding both sides with compassion and clarity.
By:
PETER KEOUGH
| September 06, 2011
Review: Bellflower
Petal to the metal
In addition to the flamethrower, they've also rigged up a whiskey-dispensing car dashboard, and as a piece de resistance have created the Road Warrior–inspired "Medusa," a 1972 Buick Skylark souped up to breathe fire.
By:
PETER KEOUGH
| September 06, 2011
Review: Colombiana
Balancing absurdity with conviction
Women have saved action movies. Who'd go see one if not for Angelina Jolie in Lara Croft or Salt , or Milla Jovovich in anything, or even Helen Mirren in Red ?
By:
PETER KEOUGH
| August 30, 2011
Review: Seven Days in Utopia
Matthew Dean Russell's creepy parable
Maybe the best of the bunch is Caddyshack, though Matthew Dean Russell's creepy parable, an adaptation of David Cook's novel, is almost as funny, if not intentionally.
By:
PETER KEOUGH
| August 30, 2011
Review: The Whistleblower
Good and evil
Larysa Kondracki's topical thriller, based on a true story, combines the moodiness of The Insider with the intensity of Serpico to dramatize a long-standing international injustice.
By:
PETER KEOUGH
| August 30, 2011
Review: A Good Old Fashioned Orgy
Gross and unfunny
Like cheap knockoffs of designer goods, Alex Gregory and Peter Huyck's excruciating comedy bears a superficial resemblance to the pricey originals it imitates.
By:
PETER KEOUGH
| August 30, 2011
Review: The Hedgehog
Mona Achache's adaptation of Muriel Barbery's best-seller
Eleven-year-old Paloma (Garance Le Guillemic) agrees, and plans to kill herself on her 12th birthday because she doesn't want to end up like the other members of her family — goldfish in a bowl.
By:
PETER KEOUGH
| August 30, 2011
Review: The Myth of the American Sleepover
Adolescent initiation rites
David Robert Mitchell's impressive if derivative debut doesn't delve so much into a myth as a mini-genre.
By:
PETER KEOUGH
| August 31, 2011
Review: Sholem Aleichem: Laughing in the Darkness
Joseph Dorman's portrait of Aleichem
Not many these days are familiar with Aleichem's own story, or his other work, or his impact on Jewish culture and literature in general.
By:
PETER KEOUGH
| August 31, 2011
Review: Mysteries of Lisbon
Raúl Ruiz's legacy
Ruiz's gorgeous, painterly visuals are shot from startling angles and work alongside his precise, anarchic, and gleefully absurd narrative to evoke a heightened reality that plumbs the mysteries of life.
By:
PETER KEOUGH
| August 23, 2011
Review: Our Idiot Brother
Jesse Peretz's obnoxious comedy
Homeless and bounced from one sister's house to the next, will Ned and his simplicity serve as a touchstone of truth for these miserable women?
By:
PETER KEOUGH
| August 23, 2011
Review: Aurora
Deepening the mystery
Long after such an insight might do any good, Viorel, the mopey, truculent antihero of this second film in Cristi Puiu's "Six Stories from the Outskirts of Bucharest" observes that the justice system does not comprehend the complexity of his relationship to his wife.
By:
PETER KEOUGH
| August 23, 2011
Review: Brighton Rock
Rowan Joffe's adaptation of Graham Greene's 1939 novel
For Graham Greene, the Catholic Church served more as a scourge than a comfort, but in Rowan Joffe's dreary, incoherent adaptation of Greene's 1939 novel, it merely offers an excuse to add choirs to the soundtrack.
By:
PETER KEOUGH
| August 23, 2011
Review: Griff the Invisible
Downtrodden superheroes
Like Kick-Ass and Super , Leon Ford's Griff the Invisible reaffirms the notion that superheroes exist to provide the meek and marginalized with an empowering fantasy.
By:
PETER KEOUGH
| August 23, 2011
Review: Conan the Barbarian
Blurry action scenes
Is Jason Momoa a future governor of California?
By:
PETER KEOUGH
| August 23, 2011
Review: The Names of Love
Softcore sex and politics
Child abuse, genocide — those French have a way with romantic comedies.
By:
PETER KEOUGH
| August 16, 2011
Review: Senna
Chronicling Ayrton Senna's career
The story of Brazilian Formula One champion Ayrton Senna sounds, well, just like a movie — Le Mans , maybe, or Talladega Nights without the comedy.
By:
PETER KEOUGH
| August 16, 2011
Review: The Help
Steel Magnolias version of the civil rights movement
As it turns out, according to Tate Taylor's adaptation of Kathryn Stockett's bestseller, the Jim Crow era was not due to centuries of institutionalized racism, but to Hilly Holbrook (Bryce Dallas Howard) and her hang-up about "colored" servants going to the bathroom.
By:
PETER KEOUGH
| August 09, 2011
Review: Point Blank
Diminishing returns
Samuel (Gilles Lellouche), a student nurse, gets sucked into a quagmire of murder and corruption when a thug kidnaps his pregnant wife, Nadia (Elena Anaya), to blackmail him into springing Hugo (Roschdy Zem), a wounded prisoner held by the police at the hospital where he works.
By:
PETER KEOUGH
| August 09, 2011
Review: 30 Minutes or Less
Offensive but unfunny comedy
Nick ( Jesse Eisenberg), a pizza delivery guy, rips off some adolescents — boys from the same demographic the movie is pitched to — promising them something fun and illicit and then just taking their money. You kids about to pay 10 bucks to see this, take that as a warning.
By:
PETER KEOUGH
| August 10, 2011
Review: The Man Who Fell to Earth (1976)
Nicolas Roeg's enigmatic sci-fi film
Star Wars came out the year after Nicolas Roeg's enigmatic sci-fi film (re-released now in an uncut version), and after that no studio was likely to make anything similar again, nor would many audiences have the patience to watch it.
By:
PETER KEOUGH
| August 10, 2011
<< first
...
< prev
10
|
11
|
12
|
13
|
14
|
15
|
16
|
17
|
18
|
19
|
next >
...
last >>
14 of 50 (results 984)
Most Popular
The Current Issue
Table of Contents
Cover Archive
Masthead
|
Authors
|
Contact us
Blogs
Where To Follow Me
Talking Politics
| March 24, 2013 at 11:09 AM
Mo Takes His Turn
March 21, 2013 at 12:59 PM
[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download
| March 18, 2013 at 3:22 PM
See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame
| March 18, 2013 at 11:00 AM
See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM
More:
Phlog
|
Music
|
Film
|
Books
|
Politics
|
Media
|
Election '08
|
Free Speech
|
All Blogs