"I am fascinated by the carefully constructed, highly marketable realities the catalogs present," Blackburn writes on her website. "They allow us to construct or maintain our identities and self-perceptions. They give form to larger cultural forces such as fashion, class structure, economic and social status, and global marketing."

The paintings have echoes of the original home décor designs, but they're more an undercurrent than the main focus. Rather, the canvases seem to be about deconstructing space. Curtains and chairs seem to pass through each other as the furnishings and architecture occupy multiple places at once. And then everything is animated by Blackburn's feel for design and paint. The painted outlines contrast with the drips and scrawled and wiggly passages, which in turn contrast with the sleek, crisp photos underneath. Everything sort of hovers in the air and dances.

< prev  1  |  2  | 
  Topics: Museum And Gallery , University of Rhode Island, Marsden Hartley, Wheeler School,  More more >
| More

Most Popular
Share this entry with Delicious
  •   A WORLD GONE WRONG  |  August 20, 2014
    The skies always seem threatening in Jennifer Hrabota Lesser’s paintings.
  •   OUTWARD AND INWARD  |  August 06, 2014
    A couple years or so back, Samuel Denoncour spent a year traveling alone across these United States.
  •   BEAUTY AND RUIN  |  July 30, 2014
    You’ve surely seen Providence painter Agustín Patiño’s work.
  •   EVOLVING PERSPECTIVES  |  July 23, 2014
    Somewhere around the 1950s, Florence Leif drastically changed her style.
  •   DOODLES, LIGHTS, AND DREAMS  |  July 16, 2014
    Gibson Prouty has found a muse — classic yellow pencils with pink erasers on the end.

 See all articles by: GREG COOK