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Imagining the truth

By WILLIAM CORBETT  |  June 7, 2006

Gardner allows us to consider that the worlds he has filmed so beautifully were disappearing as his camera rolled. Sentiment and nostalgia are built into film in a way that enhances its ability to touch our intellects and our emotions. And to do so, Gardner has, as the poet Charles Simic says in his introduction, refused to accept “the discord between reality and imagination.” He has been in the real world fully imagining, and this book is part of what he brought back.

“ART AND ARTIFACTS FROM THE TRAVELS OF ROBERT GARDNER, 1951–2001” | June 14-july 8 | Hurst Gallery, 53 Mount Auburn St, Cambridge | opening reception and book signing June 14, 5:30-8:30 pm | 617.491.6888

On the Web
Hurst Gallery: http://www.hurstgallery.com

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ARTICLES BY WILLIAM CORBETT
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  •   PLAIN SPOKEN  |  June 16, 2009
    In American prose, there is a plain style, a child of the 20th century, descending from Hemingway and Cather. The best New Yorker writers — James Thurber, Joseph Mitchell, Janet Malcolm — have it.
  •   GIVING GOOD GIMMICK  |  June 08, 2009
    To sustain a literary magazine over decades it pays to have a gimmick.
  •   REVIEW: MY VOCABULARY DID THIS TO ME: THE COLLECTED POEMS OF JACK SPICER  |  December 19, 2008
    Spicer believed that words are magic, that they have the power to "do" good and harm to people.
  •   SWEDISH SCHNAPPS  |  December 02, 2008
    Maj Sjöwall and Per Wahlöö's Martin Beck mysteries are back in a fourth American printing.
  •   SELECTED AND OTHERWISE  |  May 13, 2008
    Simic is a poet not of big gloomy poems but of small glooms and fears that haunt our waking lives and disturb our sleep.

 See all articles by: WILLIAM CORBETT

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