Untitled-169,-2011_main2
AT EASE A lemur in “Untitled #169.”
"Vanish" at Yellow Peril Gallery (60 Valley St, Providence, through February 10) features Providence artist Maralie (as in Armstrong, who also performs with the band Humanbeast). Here are awkwardly drawn portraits of a mask. And photos of a guy holding his dick and testicles with snippets of Walt Whitman poetry printed on top. And black ropes knotted like braided hair, but with an undercurrent of bondage. And a loop of 14 videos that is a mix of digital glitch art, experimental montage, retro computer graphics, and erotic music video.

There's something about sex and technology and control that often runs through her most provocative work. Earlier surreal videos (not here) of ladies wandering around in fur coats were charged with subterranean memories of weird, late night cable erotica. You can see the potential in the rope works and some of the videos, but most of the pieces feel like formal experiments that don't quite spark.

Read Greg Cook's blog at  gregcookland.com/journal.

< prev  1  |  2  | 
  Topics: Museum And Gallery , Brown, Yellow Peril
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK