Love in the fast lane

'Becky's New Car' at 2nd Story
By BILL RODRIGUEZ  |  May 14, 2014

 0516_Theater_2nd_top.jpg
ALL IN THE FAMILY Callery, DeSisto, and Melozzi. [Photo by Richard W. Dionne, Jr.]

What’s your fantasy of a complete life makeover? In Tahiti under a palm tree? In Las Vegas sporting a diamond stickpin? Well, in Steve Dietz’s Becky’s New Car, hard-working Rebecca Foster doesn’t know what hers is at first, but when she decides, it’s a much more complicated dream than she had anticipated.

Directed with careful and entertaining attention to character by Mark Peckham, the comedy is prompting laughter at 2nd Story Theatre (through June 1).

Becky (Margaret Melozzi) has been overworked and overlooked for nine years as title clerk and office manager at Buckley’s Lexis/Nissan/Saturn/Mitsubishi dealership. Her husband of 28 years, Joe (Kerry Callery), is an amiable blue-collar guy, a roofer. Their lazy 26-year-old son Chris (Jeff DeSisto) is still a permanent fixture at home, a psychology major who likes to spout jargon like “reciprocal determinism” but is bad at applying any insights to himself.

This is a play that works up a sweat pulling us into it — literally: Becky addresses the audience and even tugs some members up on stage to help out.

Early on she shares a friend’s observation that when a woman says she wants a car, what she really wants is a new life. When late one night a multi-millionaire walks into her office and places a big order, Becky ends up getting a new car as a bonus, but the accompanying new life is full of screeching hairpin turns.

Melozzi makes Becky a bubbly delight from the get-go. This character clearly has been idling too long and needs a guy to take her for a spin, open her up, and see what she can do. (Okay, I’ll stop.)

That man who ordered the cars — nine of them, thank you gifts to employees — is Walter, an outrageously broad comical character who is given a solid, sympathetic reality by Vince Petronio. Sophisticated Walter, quite a contrast to anyone in Becky’s simple world, is promptly attracted to the frazzled clerk (hey, if you want a realistic play, try Mamet). Romance ensues. He’s a widower, but also such a fast talker that in their first conversation she can never correct his misunderstanding, his thinking that she’s a widow.

At the dealership, co-worker Steve (F. William Oakes) is tossed into the story to up the existential ante with a dark tale of marital tragedy that puts Becky’s life in perspective. Steve is obsessed by the loss of his wife, who fell off a mountain next to him. The playwright has dark fun giving him a crazed monologue describing the incident, and Oakes has quite a workout venting Steve’s hysteria. Another incidental character, Walter’s daughter Kenni (Erin Elliott), ends up tied into the story in an interesting way.

Part of Becky’s bonus was to get three weeks off, which she doesn’t tell her husband about. Instead, she spends the weekdays at Walter’s place, while Joe thinks she’s at work.

1  |  2  |   next >
| More


Most Popular
ARTICLES BY BILL RODRIGUEZ
Share this entry with Delicious
  •   BEE'S THAI CUISINE  |  July 16, 2014
    On the radar of Providence foodies, the ding of Bee’s Thai Cuisine has grown increasingly louder and brighter.
  •   THE FINAL COUNTDOWN  |  July 16, 2014
    Strap in for a fast-paced adaptation of Agatha Christie's classic mystery.
  •   A SO-SO SATIRE  |  July 02, 2014
    There’s this poor country whose medium of exchange is goats (actually, promises of parts of a goat — promissory goats).
  •   PROFOUNDLY SILLY  |  June 25, 2014
    It’s been more than a half-century since Eugène Ionesco’s first play, The Bald Soprano , was written in a burst of splenetic post-WWII exasperation over the ludicrous behavior of his species.
  •   TRIUMPH AND TRAGEDY  |  June 18, 2014
    It doesn’t hurt that Angels In America is, in several regards, the greatest American play ever written.

 See all articles by: BILL RODRIGUEZ