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Just a gigolo

By CAROLYN CLAY  |  July 25, 2006

Gloucester Stage Company is taking a second shot at Arthur Miller’s solid 1968 drama The Price (through August 6), with the wonderful Sol Frieder reprising the role he first undertook at GSC in 1994 at the dewy age of 75. Now 87, he plays spurred-out-of-retirement used-furniture dealer Gregory Solomon to shrewd, doddering, humane perfection. The play centers on the long-festering mutual resentment of two brothers, one of whom sacrificed a potentially brilliant career in science to care for a bankrupt father while the other turned his back and became a successful surgeon. Having not spoken for years, they are brought together by the need to sell the family furniture. The question is whether policeman Victor, who’s given a resonant yet vulnerable reading by Michael Serratore, made a moral choice or just lay down, fearful of the success followed by failure that defeated the businessman father. Thank goodness we have Arthur Miller to turn an august and ethical eye on America in the crises of the 1930s and ’40s. But The Price hashes and rehashes its familial quarrel ad infinitum. Director Harold Dixon, who also plays surgeon Walter, could have pruned. As it is, the heartfelt, realistic production is as splendid — and as heavy-duty — as the old furniture.

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ARTICLES BY CAROLYN CLAY
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  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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