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Like last year’s Bob Dylan Scrapbook, this one’s for the fan who has everything. Yes, you get Santelli’s text — a compressed history drawn from interviews with the band as well as the author’s own experience covering them, starting with his years as a music critic for the Asbury Park Press. But the real draw here is the design, the packaging, and all the bells and whistles. In addition to the requisite slew of vintage photos, this large-format hardcover comes in a slip case filled with packets, pouches, and envelopes containing facsimiles of vintage ticket stubs, tour calendars, hand-scrawled notes, and club posters. All that’s missing is a CD of rarities, but the Boss-o-phile in your life won’t be disappointed.

Related: Lucky 13, Loose Ends, Folk re-revival, More more >
  Topics: Books , Bob Dylan, Bruce Springsteen
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ARTICLES BY JON GARELICK
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  •   GETTING THE STORY  |  December 01, 2009
    Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
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    Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
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    To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.
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    Henry Threadgill has been reinventing his language — and by extension the jazz language — for at least 30 years, beginning with the trio Air in the 1970s.

 See all articles by: JON GARELICK

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