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Flights of angels

By CAROLYN CLAY  |  December 5, 2006

At the center of the theater piece, apart from theatricality itself, is the existential fairy tale of the mounting communion between the angel yearning for human connection and the trapeze artist. There is no Circus Alekan on stage, but there certainly is an aerialist to dazzle with her balletic flights and tumbles even as she fulfills her metaphoric purpose. American actress/dancer/aerialist Mam Smith is an angel in her own right, seemingly more weightless than the spirits (jumping from the roof of the snack truck, they do make a noise), white wings billowing as she glides above the stage in her initial routine. And Mafaalani’s staging of the interaction between Damiel and Marion as, sensed but unseen, he touches, embraces, or cradles her is exquisitely tender.

As Damiel, the American actor Bernard White (who appeared in Wenders’s 2004 film Land of Plenty) lacks the gravitas of trenchcoated Bruno Ganz in the film, but he’s a lot more Jesus-like. And he manages the leap between the intensely curious longing of the angel and the near-goofiness of the new man, marveling at an apple or smelling his shoe, leaping into the audience, shaking a leg with the band, and hurling a stream of brightly hued chairs from the wings to underline the move from black and white to living color. The entire ART-less company — which includes Mark Rosenthal as Damiel’s calm, mournful Heavenly sidekick, Cassiel; Frieda Pittoors as a stylized version of the elderly poet concerned that mankind not lose its history; and Stephen Payne as the ironic, Western-tinged former angel — is expert. But Smith and White are the soul of the theater work and the embodiment of its central conceit, finding each other as the female singer speaks Marion’s thoughts: “We’re seated in the public assembly, and the hall is filled with people all wanting what we want. We’re playing on their behalf.”
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Comments
Flights of angels
Noting your review of the stage version of WINGS OF DESIRE [ a.k.a. Heaven/Sky Above Berlin], I thought I would let you know that appr. 3/4 of the original screenplay [a lovely published book, Suhrkamp Verlag] is by Peter Handke, and consists chiefly of a collage from his then [late 80s] work. Everything naturalistic is Vim Wenders, since Handke doesn't write naturalistic dialogue, except in quotes. I once wrote a long piece for the St. Monica Review, 1989 about deciphering and responding to the film, demanding to those who are habituated to the briefer periods of journalism; perhaps you even saw it since I think you were in L.A. at the time, to my amazement the L.A. Times favored something as demanding as that. Part of the piece is online at http://www.handkefilm.scriptmania.com which is a sub-site of: http://www.handke.scriptmania.com + 12 subsites, to prose, drama, film, etc http://www.handkelectures.freeservers.com will give you some idea of the rakes progress in that field, it is a work in progress for a summary piece on Handke's work for the stage. No doubt you got wind of the French controversy concerning the cancellation of "The Art of Asking", a very great play indeed, Handke's Faust... but then no one does the late Handke... As of "Walk About the Villages" except for "Hour", and that only because it is relievedly lacking in word that the modern ear really does not want to hear. If you are interested in the controversy, and some reasons why Handke is as it were preternaturally controversial you might want to take a look at the last page of http://www.handke.scriptmania.com it contains a 15 k piece on Handke and Yugoslavia and Handke and the big bad woolf from Belgrad. Or if you like I can send it to you as a p.d.f. since for some damn reason the site is balking at my trying to fit it into a more easily readable format. The site below has a book of mine, in German, on Handke, Dem Handke auf die Schliche, which is nearly entirely on-line now. http://www.kultur.at/lesen/index.htm http://begleitschreiben.twoday.net/stories/2504464/ -- MICHAEL ROLOFF Member Seattle Psychoanalytic Institute and Society http://roloff.freeservers.com/about.html http://handke-discussion.blogspot.com/ http://www.artscritic.blogspot.com SCRIPTMANIA PROJECT MAIN SITE: http://www.handke.scriptmania.com http://www.handkelectures.freeservers.com http://summapolitico.blogspot.com "MAY THE FOGGY DEW BEDIAMONDIZE YOUR HOOSPRINGS!" {J. Joyce} "Sryde Lyde Myde Vorworde Vorhorde Vorborde" [von Alvensleben]
By mikerol on 12/06/2006 at 11:07:18

ARTICLES BY CAROLYN CLAY
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