At the center of the theater piece, apart from theatricality itself, is the existential fairy tale of the mounting communion between the angel yearning for human connection and the trapeze artist. There is no Circus Alekan on stage, but there certainly is an aerialist to dazzle with her balletic flights and tumbles even as she fulfills her metaphoric purpose. American actress/dancer/aerialist Mam Smith is an angel in her own right, seemingly more weightless than the spirits (jumping from the roof of the snack truck, they do make a noise), white wings billowing as she glides above the stage in her initial routine. And Mafaalani’s staging of the interaction between Damiel and Marion as, sensed but unseen, he touches, embraces, or cradles her is exquisitely tender.
As Damiel, the American actor Bernard White (who appeared in Wenders’s 2004 film Land of Plenty) lacks the gravitas of trenchcoated Bruno Ganz in the film, but he’s a lot more Jesus-like. And he manages the leap between the intensely curious longing of the angel and the near-goofiness of the new man, marveling at an apple or smelling his shoe, leaping into the audience, shaking a leg with the band, and hurling a stream of brightly hued chairs from the wings to underline the move from black and white to living color. The entire ART-less company — which includes Mark Rosenthal as Damiel’s calm, mournful Heavenly sidekick, Cassiel; Frieda Pittoors as a stylized version of the elderly poet concerned that mankind not lose its history; and Stephen Payne as the ironic, Western-tinged former angel — is expert. But Smith and White are the soul of the theater work and the embodiment of its central conceit, finding each other as the female singer speaks Marion’s thoughts: “We’re seated in the public assembly, and the hall is filled with people all wanting what we want. We’re playing on their behalf.”
Related:
Gray cowboy movie, Urban renewal, Players and painted stage, More
- Gray cowboy movie
Wim Wenders can drive me nuts.
- Urban renewal
Wim Wenders’s 1987 film Der Himmel über Berlin — Wings of Desire , as it’s known to us — had two defining characters that would seem impossible to re-create outside of the film itself.
- Players and painted stage
It seems the fall theater season was shot from a gun this year, barely after the Labor Day picnic baskets had been packed away.
- Boston theater season announced
Boston’s biggest theatrical guns have announced what they’ll be showing next season, and it isn’t all Annie and Aeschylus .
- Controlled chaos
It’s 11 am on a Thursday, and Andy Moor is having his first coffee just a few doors down from the American Repertory Theatre’s Loeb Drama Center, the site that will be home to one of his most ambitious projects yet. The Ex, "Weapons for El Salvador" (mp3)
- Music and macho
Crossing the Bridge: The Sound of Istanbul a valiant effort by German-Turkish filmmaker Fatih Akin to match what Wim Wenders did with Cuban music in Buena Vista Social Club : put the fabulously myriad sounds of Turkish music on the international map.
- Drifting
French filmmaker Claire Denis has acknowledged that a host of sources inspired L’intrus|The Intruder (January 25–February 9 at the MFA), the tale of a sickly, reclusive Frenchman, Louis Trebor (Michel Subor), who after paying hard cash and buying a new heart sails for the South Seas, vaguely in search of a lost illegitimate son.
- Interview: Lance Hammer
Some filmmakers seek to penetrate the mystery of human existence through cinema.
- EXTRAS! EXTRAS!
As much as I lament the continuing decline of attendance at the cineplex, it’s also easy to understand.
- Ask the Dust
Robert Towne’s labor of love pays homage to a much-romanticized literary tradition, that of American fiction writing of the 1930s.
- The good Germans
It’s 1984. The Ruling Party monitors its citizenship, its minute observations allowing the “others” to be categorized –– and persecuted. Watch the trailer for The Lives of Others (YouTube)
- Less

Topics:
Theater
, Celebrity News, Entertainment, Media, More
, Celebrity News, Entertainment, Media, Rainer Maria Rilke, Poetry, Performing Arts, Theater, Theater Reviews, Loeb Drama Center, Gideon Lester, Less