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The importance of being Ridiculus

By ED SIEGEL  |  January 2, 2007

Wilde, of course, was a gay man trying to live in a heterosexual world, and there are hints of such things in the comedy. In a traditional performance we root for the quartet to wind up together, but that isn’t really an issue here. Instead, Wilde’s satire storms to the front. These are all ridiculous characters, shaped by the mores of their times, who have too much money to think of anything beyond whether to have cake or muffins with their tea.

Ridiculusmus shape-shifts the play into something Wilder than what we’re used to, so don’t go expecting to see Edith Evans. But as Haynes, Woods, and Kelly prove, there’s more than one way to skin a Lady Bracknell.

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Related: Pent-up genius, Wilde thing, Trivial pursuit, More more >
  Topics: Theater , Entertainment, Culture and Lifestyle, Performing Arts,  More more >
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Comments
The importance of being Ridiculus
Did your reviewer see the same play I did? I am baffled at this breathlessly uncritical take on what was an overwrought, and ultimately pointless excercise in extraneousness. I'm all for updating the classics, but Ridiculusmus somehow manages the impossible- they made Oscar Wilde unfunny. The endless constume changes and rushing around the stage are amusing for about 20 minutes, after which they are just annoying and distracting. In one scene, the Vicar masturbates behind a fence. No one in the audience laughed! Not because they were offended, but because it just wasn't funny, only bewildering. This is a huge effort for a result that is far less satisfying - not to mention relevant - than the original.
By Barber on 01/05/2007 at 6:25:18

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