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Out on a limb

By CAROLYN CLAY  |  April 2, 2007

The production at MRT originated at Albany’s Capital Repertory Theatre. Directed by Maggie Mancinelli-Cahill, it comes to us hook, line, and designers, with choreographer Adam Pelty playing Henry with grace and verve if perhaps too much pluck. The performer can be as annoying in his relentless physicality as his character is in his relentless optimism about pulling oneself up by one’s dancing-shoe straps. But Pelty neatly combines brooding with goofiness, and he is certainly agile. The dance routines, which include waltzes, fox trots, even the Castles’ signature Walk, are a pleasure. Pelty and the light-footed Stacey Harris, as pent-up if irrepressible Anna, partner with increasing skill, eventually floating across the floor of set designer Roman Tatarowicz’s begrimed studio in a way that would suggest fantasy escape even without the glimmering lights that form a starry sky, a pavilion at Coney Island, and the crystal chandeliers Henry pictures in his imagined world of gravity-defying elegance. Exercising their terpsichorean option, the pair prove that, as the title suggests, one can be off the beat and still in heady tandem.

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Related: It’s a man’s world, Shakespeare for dummies, Channeling Shakespeare, More more >
  Topics: Theater , Entertainment, Dance, Performing Arts,  More more >
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ARTICLES BY CAROLYN CLAY
Share this entry with Delicious
  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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