Directed by David Sullivan and played out against Eric Levenson’s suitably spare and grubby setting, the Gloucester Stage production crackles even when the play is telegraphing or confusing. Pemberton presents a hail-fellow opportunist who assures Ken, in his bubbly accented English, that in nearby Atlantic City prostitution and gambling go together “like peanut butter/jelly.” And his childlike cantering through the televised races is goofy enough that you wince to see him humiliated by his own greed. Jared O’Brien is a tightly wound Wallace who follows the ponies with a jerky, almost incantatory grace. James William Ijames makes palpable Ken’s urgent concerns and literal sensibility — if not his volatility when crossed. And as the cashier, Jacqui Parker delivers knife-sharp nonchalance on a platter. These guys are lucky she’s behind a glass barrier.
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Dream team, Free fisticuffs, Thank You For Smoking, More
- Dream team
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- Free fisticuffs
After last year’s Hamlet , Commonwealth Shakespeare Company artistic director Steven Maler decided he wanted a play “with life and character and vitality to it — an upbeat type of spirit” for this year’s offering of free Shakespeare on Boston Common.
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As Nick Naylor, chief lobbyist for Big Tobacco, Aaron Eckhart tempers his gleefully loathsome persona from Neil LaBute’s In the Company of Men with a seductively serpentine charm and wit.
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- An awkward adaptation
Times change, but the frailties of the human heart . . . not so much. That overworked muscle can be haplessly generous or slammed-door shut. Nathaniel Hawthorne's mid-19th century novel The Scarlet Letter still stands as a perceptive examination of the eternal internal battle between love and hate.
- I is another
Lothar Berfelde was born both a generation too late and a generation too early, growing up as he did in Berlin when the Nazis were coming to power in the '30s.
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Sometimes less is more when imagination rules.
- Kosher comic
Judy Gold sashays into a press conference with a white apron over her jeans and a tray of rugelach in her hand.
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For further indication of the darkening zeitgeist, consider the personae of imaginary rabbits.
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Whitewash has floated like a soap scum on the bloodbath of America’s past as told in the history books.
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Guns and cocoa butter are the subjects of George Bernard Shaw’s 1894 Arms and the Man , the first of the great Irish contrarian’s “Plays Pleasant.”
- Less

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, Entertainment, Sports, Horse Racing, Performing Arts, Theater, Theatrical Plays, Michael Imperioli, Eric Levenson, Jacqui Parker, Less