It sounds a lot like a kind of 21st century grand tour — Venice, Tuscany, Venice, this rich and rigorous engagement with ideas and individuals.
I like that idea of IDSVA. In a little cafe far away from the Biennale we ran into this year’s Biennale director, Rob Storr. He called IDSVA the "new nomads," which I like as well.
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Chris Thompson: xxtopher@hotmail.com
Related:
Retroperspective, Smells like free spirit, Anarctic, More
- Retroperspective
Rare are the instances of true interdisciplinarity in exhibitions of contemporary art-moments where disciplines meet, mix, and couple to produce offspring that belong to neither field and set off on their own in search of even wilder mates.
- Smells like free spirit
Encountering Charlie Hewitt’s work for the first time, at his Farnsworth Museum retrospective, was like meeting someone from the neighborhood where you grow up long after you’ve grown up.
- Anarctic
Having found their way to the threshold of the great Kansas plains, the conquistadors quickly lost it again.
- Critical intervention
When the Institute for Doctoral Studies in the Visual Arts gets its final permissions from the state Legislature in early 2007, Maine will become home to the first Ph.D. program in visual arts in America.
- Letters to the Portland editor: September 29, 2006
War is art
- Ideas you never paid for
Three ideas for the artist-(inter)activist.
- Unheimlich maneuver
This weekend the Bates College Museum of Art unveils the cryptozoological community’s most highly esteemed artworks by a Wyeth family member, living or otherwise.
- On the table
“PASS•PORT: identity in the information age” was the theme of this year’s DesignInquiry.
- Free beer
There are certain works of art in the face of which the critic must simply bow his head and weep.
- Arms of the ancients
The success of the television show Are You Smarter than a 5th Grader? has made it clear to us just how much knowledge and spiritual vigor gets lost after one hits one’s climax at roughly the age of eleven.
- Retooled
What follows is a response to the provocation posed by the Bates College Museum of Art’s current show “Activator,” a tightly organized exhibition of six installations by seven young artists
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Museum And Gallery
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