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Adaptation

By CAROLYN CLAY  |  September 26, 2007

The fine Trinity Rep ensemble is equally effective as a rallying redneck chorus responding to “Cousin Willie from the country” and as the more patrician characters pushed by Stark and his populism “away from the trough.” Although he has the less flashy role, Mauro Hantman, as quizzical Jack Burden, conveys with folksy eloquence the writerly narration and the dilemma of a man who wants to have both the good results of dirty politicking and clean hands. Fred Sullivan Jr. exudes a warm Southern gentility as Judge Irwin, who’s swept his past sins so far under the Oriental that he doesn’t remember they’re there. Anne Scurria wraps Jack’s much-marrying mother in a complex skein of fatuousness and patrician grace. Andrea Brazil brings a winsome sadness to Anne Stanton, who throws over childhood sweetheart Burden to become Stark’s mistress because “he’s not like anybody else.” And the way Wilson plays Stark, with enough vitality to leak from the stump to the State House to the bedroom, you believe her.

Just one question: Trinity trots out Hall & Richard Cumming’s high-flying adaptation of A Christmas Carol every year. Why has it taken two decades to resurrect the potent ghost of Willie Stark?

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Related: Stark contrasts, Then is now, EXTRAS! EXTRAS!, More more >
  Topics: Theater , Entertainment, Movies, Anne Stanton,  More more >
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ARTICLES BY CAROLYN CLAY
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  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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