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Scare tactics

By DOUGLAS WOLK  |  March 24, 2008

What’s also disappointing is that Hajdu doesn’t follow up on the second half of his subtitle: he credits comics with helping to create “the popular culture of the postwar era” but doesn’t have much to say about how the comics scare went on to affect popular culture. Aside from putting a lot of cartoonists out of work (a 15-page appendix is simply a list of names of people who never again worked in comics after the mid ’50s) and forcing EC to convert its most enduring comic, Mad, into a magazine in order to survive, the scare seems not to have had much of a lasting effect outside the industry. (Or, in the long run, within: the Comics Code still exists, but it’s toothless and all but abandoned.) It was comics themselves that changed America; the scare Hajdu lovingly details barely impeded that change.

David Hajdu | Brattle Theatre, 40 Brattle St, Cambridge | April 3, 6 pm | $5 | 617.661.1515

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Related: Next steps, Cracks in the armor, Screwing the youth, More more >
  Topics: Books , Media, Books, Graphic Novels and Comics,  More more >
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ARTICLES BY DOUGLAS WOLK
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  •   SCARE TACTICS  |  March 24, 2008
    A steady ripple of anti-comics sentiment was crystallized in the early ’50s.
  •   SIFTING THE TRASH HEAP  |  June 28, 2007
    There’s an image in an old Warlock comic book by Jim Starlin that sums up a lot of the peculiar, shared pleasure of reading comics.
  •   OVER THE TOP  |  April 17, 2007
    “Your life. Your war.”
  •   STORYBOARDING  |  January 02, 2007
    Brian K. Vaughan is one of the highest-profile writers in American comics right now, a hyper-prolific idea man whose projects are driven by crisp, suspenseful pacing and built around resonant metaphors.
  •   POLITE AND BRAVE AND HONEST?  |  April 27, 2006
    Monthly comic-book sales have been dribbling downward for years, as the economy of the comics industry shifts to book collections and manga.

 See all articles by: DOUGLAS WOLK

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