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Big pond, little pond

By JEFFREY GANTZ  |  May 7, 2008

The new ending also needs more pop. As in 2004, Siegfried, after he’s made it up with Odette, hoists her aloft and charges at Rothbart, who cowers at the depth of their love and falls lifeless. In 2004, Siegfried and Odette then threw themselves into the lake; the tower crumbled and the spell broke. That didn’t make much sense — you’d have thought the spell would die with Rothbart. Now, Siegfried and Odette hold each other, the swans return, Siegfried and Odette retreat upstage so the swans can display themselves — and that’s it. The concept — that Odette’s love can save Siegfried rather than the other way around — is powerful, but it needs more visual expression as the music surges from B minor into B major: tower crumbling; dawn-like lighting; Siegfried and Odette dancing out their joy; swans acting less like swans and more like girls. I suppose it’s a measure of Swan Lake’s size and scope that, more than a century after its birth, it’s still taking shape.

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Comments
Big pond, little pond
HHHMMM...... Let's see; Boston Ballet have enough problem in the moment,and being criticized by Mr.Gantz (who by the way looks like JEAN RENO'S little brother) most surly does not lift the company morale(dancers). Also for a person who goes to see 3 shows of each program,(still just a fan to me)you would expact knowledge and wisdom on dance. At times find myself reading his critcism and feel like I am reading GOOGLE or YAHOO. Example on knowledge: Rothbart doesn’t have much to do, only big, uncomplex jumps. Well, Rothbart is the third largest character and in most versions "danced" by a character artist. And if we can all do "ONLY" big jumps that are UNCOMPLEX, (notice most dancer train for 7 or more years)in comparesment to this article I feel that Mr. Gantz your pen is a SPEAR (metaforicly and physically).
By ask_me_about_dance on 05/09/2008 at 7:41:05

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