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Flashback

By GREG COOK  |  May 7, 2008
Crocusesinside
NO NUKES: The 1985 piece  Come Up

Great political artists need great political events, and as the ’60s went on, Kent rose to the occasion. As the news got darker — Vietnam War, assassinations of Robert Kennedy and Martin Luther King Jr. — her colors grew hotter and her content became darker, more mournful. She reached her peak with searing images made right after she left the convent.

Love Your Brother (1969) is a memorial to King’s 1968 murder. She writes “The King is Dead/Love Your Brother” across stacked news photos in glowing green and violet showing King in the back of a police car after being arrested in Birmingham and King hugging his wife after winning Nobel Peace Prize in 1964. Such designs seem simple, but with well-chosen colors and a few words, Kent channeled the devastating loss and yet inspired with a call to carry on King’s work.
 
Around 1971, her work mellowed. DayGlo colors were out; rainbows and earth tones were in. But she continued to make political work. People assumed she hid the profile of Vietnam’s Ho Chi Minh in the Boston gas tank stripes. (Kent maintained that people were imagining things — but didn’t mind that that’s what they saw.) She produced anti-nuke broadsides and critiques of our government’s actions in El Salvador, but her imagery became saccharine. Her anti-nuke piece Come Up (1985) is a doodle of flowers with the handwritten words “So far the crocuses have always come up” floating in the sky.
  
Ault chalks her departure from the convent to exhaustion from ideological battles with church honchos, a packed schedule of teaching and lecturing, and trying political times. After that fiery burst of work immediately afterward in 1969, Kent seems to have burned out and craved calm.

“Corita Kent: We Can Create Life Without War” |Breslin Fine Arts, 187 Main St, East Greenwich | Through
May 15


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Related: Nun-sense, I will survive, Iraq: Five years later, More more >
  Topics: Museum And Gallery , Culture and Lifestyle, Hobbies and Pastimes, Robert F. Kennedy,  More more >
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ARTICLES BY GREG COOK
Share this entry with Delicious
  •   STRIVING FOR SIGNIFICANCE  |  December 02, 2009
    One of the questions in fine art is how to address the big issues of today, from our wars to global warming.
  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.

 See all articles by: GREG COOK

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