The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Books  |  Comedy  |  Dance  |  Museum And Gallery  |  Theater

Flash without fire

By GREG COOK  |  May 13, 2008

Bostonian Yana Payusova also explores family history — her parents’ stories and her own memories of growing up in St. Petersburg — in her magic-realist cartoons in acrylic and India ink or gouache and photographs. A girl with six nipples stands in water at a beach as flabby old ladies and men lounge on the sand behind her. In another painting, a subway car’s passengers include a two-headed woman, a man with antlers sprouting from his hat, a man collapsed on the floor, a kissing couple, and a crowned, robed man holding a cage that contains a spider creature with a human head. The scenes are finely rendered, but Payusova’s characters, all with the same exaggerated eyeshadow and bags under their eyes, are, well, repulsive.

Kirsten Reynolds of Newmarket, New Hampshire, presents an installation of jutting 2x4s and slanting walls decorated with bright patterns of hearts, flowers, and stars that looks like a Target store display gone cutely awry. Marguerite White of Newtonville creates a nautical-themed installation of chalk drawings directly on a wall, cut-out charcoal drawings, and black-and-white cut-out silhouettes that feel like a catalogue of seaside stuff you’d find in some tourist shop. I can see how the installations might have seemed like promising ideas, and they’re nicely constructed, but they ring hollow.

And that’s the problem with too much of the work here. Pleasantly crafted exteriors surround mushy, unnourishing cores.

< prev  1  |  2  |  3  | 
Related: Time after time, Wild things, Built to move, More more >
  Topics: Museum And Gallery , Culture and Lifestyle, Food and Cooking, Foods,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments
Flash without fire
Nick Capasso and Company may have overstayed their shelf-life. They have been there, seen it and done it too long and with not much flair or outreach anymore. Capasso does not even return calls to artists that he doesn't know. At best the DeCordova is a regional, modest museum; at worst, it is a regional , modest museum. Should we expect more from it? This "Best of New England" exhibit is not even the Best of Route 128. Instead of being a Whiney Biennial Lite, the DeCordova show is a show of precious artists by out of touch curators and friends of friends. No wonder the most exciting artists turned to the Salon de Refuses in 19th Century Paris. The supposed art "experts" missed the best work then and certainly do now. Why not just call it a curators choice show instead of trying to add stature to a few mediocre photo-montages, digital printouts, paintings, moulded jello pieces and cute illustrations.
By Faves on 05/17/2008 at 9:52:15
Flash without fire
It’s impossible to read this article and not wonder why Greg Cook sounds so bitter (p-size issues??). And I do feel so sorry for you, Faves, that Nick Capasso has not returned your phone calls. By the way, go check out this year’s Whitney Biennial if you really want to be disappointed! -- One of the Artists
By Other on 05/19/2008 at 4:18:05

ARTICLES BY GREG COOK
Share this entry with Delicious
  •   STRIVING FOR SIGNIFICANCE  |  December 02, 2009
    One of the questions in fine art is how to address the big issues of today, from our wars to global warming.
  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.

 See all articles by: GREG COOK

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group