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Bidart identifies “Ulanova” as the “poem I’ve never been able to write,” adding that it’s about “burning an image into the soul of an eighteen-year-old (me) of the severity and ferocity at the root of classic art, addicted to mimesis.” He’s attesting not just to the power of art to reshape a life, to turn it from appreciation toward an idea of making, but also to susceptibility. This staging of an encounter with another kind of art, a different form of passion, attunes us to Bidart’s degree of alertness, and in his passing along of the mimetic impulse we read with greater awareness of the importance of what is being offered.

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Related: Year in Books: Word plays, Symbolic nature, Poetic license, More more >
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