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Twisted love song

By CAROLYN CLAY  |  July 8, 2008

Gloucester Stage cannot be blamed, except for the choice of the play. (Those small-cast, one-set dramas can be seductive.) Given the theater’s budget constraints, set and lighting designers Jenna McFarland Lord and Russ Swift can make only a rudimentary suggestion of the oceanic isolation and autumnal twilight proposed by the script (though there is an eerie fade, along with some ghostly sound, in the closing moments). David Zoffoli is at the helm of the adequate production, which thrashes somewhat more than it needs to, especially when it comes to the interaction of Larsen and his overcoat. But David Volin reconciles the interrogator’s cunning with the desperation of the far-from-objective visitor he turns out to be. And it’s clear that Tom Markus, who has played Znorko is several productions of the play (and directed one), is at home with the Great Writer’s exterior smugness and inner terror. Still, there are just so many variations on a twist that two actors can pull off.

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Related: Thirtysomething, Smart women, tough choices, Other music meccas, More more >
  Topics: Theater , Edward Elgar, Jenna McFarland Lord
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ARTICLES BY CAROLYN CLAY
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  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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