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Here comes trouble

By GREG COOK  |  July 18, 2008

Betty Hirst of New York wins the freak-out award for her sculptures made from raw meat. The actual meat was on view at the June 21 opening, but except for a book piece now infested with maggots, visitors must settle for photos. Most striking is Baby, which resembles a life-size baby skinned — and feels like murder.

New Yorker Tamara Kostianovsky’s stuffed animals depicting slaughtered cattle come as a relief. Malice depicts the pink torso of a skinned, gutted cow, with its head and limbs chopped off. Still, it seems cozy, cuddly. Maybe because her sculptures are made of clothing, they get you thinking of bodies as suits we wear. You find yourself pondering that blurry place — blurry because we won’t quite let ourselves look at it — where living bodies become meat. And you wonder about the nature of your soul.

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Related: The whiff of art, Slideshow: Heide Hatry at Pierre Menard Gallery, Cattle call, More more >
  Topics: Museum And Gallery , Barack Obama, U.S. Government, gallery XIV,  More more >
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ARTICLES BY GREG COOK
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  •   STRIVING FOR SIGNIFICANCE  |  December 02, 2009
    One of the questions in fine art is how to address the big issues of today, from our wars to global warming.
  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.

 See all articles by: GREG COOK

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