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Murder, she wrote

By CLEA SIMON  |  August 5, 2008

Might Sam, who is in both books have his own story?
I don’t have one for him yet. It’s always more fun to write people who are really messed up or really vicious. Frank is huge fun to write because his moral sense is not like most people’s. He’s very much “the end justifies the means,” and in the third book he really will do just about anything to anyone else or to himself to get what he wants.

What's your process?
When I start writing, I don’t have a clue as to what happens. I have a premise, a narrator, and a load of caffeine, and that’s it. That’s what keeps me writing through the entire process of the book. For The Likeness, the premise was: what would it be like to show up at a crime scene and see your face on the victim? What would it do to your sense of identity? What would you have to do about it? I start out with something that I’m interested in so I can keep writing. It makes for huge amounts of rewriting.

For In the Woods, it was the archæological dig. I was actually working on a dig in between two shows. I found the 16th-century penny that shows up in In the Woods. I was so overexcited! And there was a woods nearby, and I thought that would be a great place for kids to play. And I think that what turns someone into a mystery writer, as opposed to another kind of writer, is that we’re always looking for the potential mystery in everything. I thought, that would be a great place for kids to play. What if three kids ran in there to play and only one ran out — and he had no memory of what happened?

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Related: The pro, Local colors, Rhode Island’s man of mystery, More more >
  Topics: Books , Media, Books, Mystery Novels
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