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Still doing it

By MARCIA B. SIEGEL  |  September 16, 2008

What’s still wonderful about the show is the staging: the way the characters get singled out of the line-up by the autocratic Zach and stripped to their psychological skins in front of the audience; the solo songs and monologues with the other dancers doggedly rehearsing in the background; the awful moments of intimacy when Zach clears the stage to grill Cassie and Paul. And the triumphant closer, when each of them can claim a place as the one singular sensation.

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Related: The show's the thing, Review: Every Little Step, Uniquely human, More more >
  Topics: Theater , Michael Bennett, Clyde Alves, Kevin Santos,  More more >
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ARTICLES BY MARCIA B. SIEGEL
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  •   SNACKS  |  November 24, 2009
    The most substantial item in the assortment of dances by the Trey McIntyre Project last weekend was an oddly proportioned 20-minute meditation on climate change and Glacier National Park. McIntyre, whose company appeared at the ICA as part of the CRASHarts series, has gotten a lot of press exposure as an up-and-coming choreographer with serious ideas.
  •   SUSTAINABILITY  |  November 04, 2009
    If you wanted to know what happened at the Merce Cunningham memorial a week ago Wednesday in the Park Avenue Armory, you could get a thousand answers.
  •   DEFINITIONS  |  October 28, 2009
    Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
  •   SUNDAY SCHOOL  |  October 21, 2009
    Ronald K. Brown’s flamboyant choreography comes with a big serving of spirituality.
  •   REQUIEM DETEXTED  |  September 30, 2009
    Mozart's Requiem is one of the most controversial works in the classical repertory. Mozart had completed only parts of it and sketched other parts when he died, unexpectedly at age 35, in 1791. His death ignited immediate speculation and myth.

 See all articles by: MARCIA B. SIEGEL

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