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Political Andy?

By GREG COOK  |  November 6, 2008

The Rose also offers "Project for a New American Century," which draws on a 2007 gift to the museum from Michael Black and Melody Douras. Most of the 23 works (in various media) come from the 1990s (there are six from the 2000s), and it all feels like astringent doodling at the end of Modernism. I can't get myself much to care.

But guest curator Randi Hopkins (a long-time Phoenix contributor) nicely selects for visual rhymes — particularly variations on Minimalism. And check out the title piece, a large 2004 pencil-on-paper drawing by Dominic McGill. The sheet hangs from the ceiling, covered on both sides with slogans and images name-checking a century of (mostly) bad news. The paper loops around itself at the end, forming a cave you can walk into. Inside, you're surrounded by trees, flying crosses, and in the distance a fence and a watch tower. The drawing is so-so, but it channels a post-9/11 sense of decay and despair.

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Related: Slideshow: Final moments at the Rose?, Wizards and masterpieces, Will Brandeis sell out the Rose?, More more >
  Topics: Museum And Gallery , Robert F. Kennedy, Richard Nixon, Currier Museum of Art,  More more >
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ARTICLES BY GREG COOK
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  •   STRIVING FOR SIGNIFICANCE  |  December 02, 2009
    One of the questions in fine art is how to address the big issues of today, from our wars to global warming.
  •   CLASSIC ROCK?  |  November 26, 2009
    If you're looking for meaning in the overly sanitized myth that is our national Thanksgiving celebration, a good place to start is southeastern Massachusetts, where nearly 400 years ago that band of hungry, ill-prepared religious zealots tried to colonize the middle of nowhere at the start of winter.  
  •   MAGPIE AND COPYIST  |  November 24, 2009
    If you were going to recount the evolution of hippie guy fashion, you might say that what began with psychedelic ruffled shirts and corduroy pants in 1968 has in late middle age split into two streams: collarless white button-down shirts, usually buttoned right up to the neck and worn with a black vest, and Hawaiian shirts.
  •   AIRING IT OUT  |  November 24, 2009
    New York painter Eve Aschheim has said that she uses geometry in her abstractions "to 'think about' the intersection of nature and cityscape. My works might suggest the chaotic geometry of the city, the expectant stillness of air, the tenuous balance of a wire line against a building."
  •   CHANNEL SURFING  |  November 17, 2009
    In May 1978, Providence police raided the exhibition “Private Parts” at the Electron Movers loft on North Main Street to enforce a then-new state obscenity law.

 See all articles by: GREG COOK

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