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Leviathan

By PETER KEOUGH  |  November 11, 2008

Whether it's a diabolical black comedy about the ultimate alienation of labor, or a demonstration of how violence metamorphoses into art and vice versa, or the consummation of all post-war history into a boundless, inescapable nightmare, with 2666, the giant has arrived.

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Related: Year in Books: Word plays, Review: The Human Condition, Mat city, More more >
  Topics: Books , Jorge Luis Borges, Jorge Luis Borges, Roberto Bolano,  More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: UP IN THE AIR  |  December 02, 2009
    No director pulls off the bait-and-switch as craftily as Jason Reitman. He gets you thinking that you're watching a hip, caustic comedy subverting the status quo, but by the end, he's vindicated all the platitudes he seemed to scorn.
  •   REVIEW: Z (1969)  |  December 01, 2009
    John F. Kennedy wasn't the only political leader murdered in 1963. On May 22 of that year, Gregoris Lambrakis, a left-leaning, pacifist member of the Greek parliament and an aspiring presidential candidate seeking to replace the reigning right-wing government, was assaulted after a peace rally in Thessaloniki. He died five days later.
  •   REVIEW: JULIA  |  December 04, 2009
    When the once-æthereal muse of the late Derek Jarman wiped sweat from her armpits in Michael Clayton , a new persona was born.
  •   REVIEW: THE STRIP  |  December 02, 2009
    In lieu of Steve Carell’s hopelessly inept and earnest manager, we have his creepier duplicate, Glenn. Instead of the boorish brown-noser played by Rainn Wilson, there’s the more obnoxious Rick.
  •   REVIEW: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS  |  November 24, 2009
    Nicolas Cage is at his best in Bad Lieutenant

 See all articles by: PETER KEOUGH

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