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Regifting

By CAROLYN CLAY  |  December 12, 2008

Not that you have to listen to this Scrooge among scribblers. Conceived by Old Globe honcho Jack O'Brien, at whose San Diego theater it's in its 11th year, this stage adaptation of The Grinch broke Broadway box-office records in 2006 and 2007. And it is certainly an improvement on the 2000 Ron Howard film that starred Jim Carrey trying way too hard and saddled the Grinch with a Freudian backstory as well as a bad case of entertainment-industry elephantiasis.

Compared with that, the show on view at the Wang is a Japanese flower arrangement heavy on the holly. Moreover, towering Icelandic actor Stefán Karl's Grinch serves up a perfect plate of green ego and ham for the toddler set as he slithers down a neon-red proscenium in his green mange, brandishes his bristly fingers like knives, and makes the sort of rude noises and faces that delight small children. But for the most part, the musical is both tedious and cute, its saccharine Whos inexplicably costumed to look like ducks and waddling. Librettist/lyricist Timothy Mason's rhymes are inferior to Dr. Seuss's. And the generic score attached to the two Hague/Seuss songs by Mel Marvin smacks so much of Annie that sweet-spirited Cindy Lou Who and the suddenly sappy green hermit come to seem like the eponymous orphan and Daddy Warbucks turned the color of his cash.

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Related: Review: The Seussification of Romeo and Juliet, Play by play: July 17, 2009, Princesses, More more >
  Topics: Theater , Entertainment, Music, Chuck Jones,  More more >
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ARTICLES BY CAROLYN CLAY
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  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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