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Gizzi and Killian claim for Spicer "a broad and lasting effect on a diverse range of writers nationally and internationally." You expect that sort of boilerplate to advertise a book such as this, and they may well be right, but my guess is that Spicer's effect is not so easy to recognize. He would have loathed the thought of poets writing Jack Spicer poems. Those who might write like him are in for a withering squawk from their Martians. To receive Spicer's effect — no doubt tonic for some — poets must abjure "the big lie of the personal" in favor of the poems their antennae pick up from the airwaves.

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ARTICLES BY WILLIAM CORBETT
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  •   PLAIN SPOKEN  |  June 16, 2009
    In American prose, there is a plain style, a child of the 20th century, descending from Hemingway and Cather. The best New Yorker writers — James Thurber, Joseph Mitchell, Janet Malcolm — have it.
  •   GIVING GOOD GIMMICK  |  June 08, 2009
    To sustain a literary magazine over decades it pays to have a gimmick.
  •   REVIEW: MY VOCABULARY DID THIS TO ME: THE COLLECTED POEMS OF JACK SPICER  |  December 19, 2008
    Spicer believed that words are magic, that they have the power to "do" good and harm to people.
  •   SWEDISH SCHNAPPS  |  December 02, 2008
    Maj Sjöwall and Per Wahlöö's Martin Beck mysteries are back in a fourth American printing.
  •   SELECTED AND OTHERWISE  |  May 13, 2008
    Simic is a poet not of big gloomy poems but of small glooms and fears that haunt our waking lives and disturb our sleep.

 See all articles by: WILLIAM CORBETT

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