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Play by play: February 20, 2009

Plays A to Z
By CAROLYN CLAY  |  February 17, 2009

BAD DATES | Lenox-based Shakespeare & Company kicks off its first winter season with theater and television writer Theresa Rebeck's engaging one-woman comedy. Adrianne Krstansky directs Elizabeth Aspenlieder in the show, whose focus is a Manhattan single mom with a job managing a restaurant and a serious shoe habit; she takes us into her confidence while preparing for and rehashing the dubious social engagements of the title. | Elayne P. Bernstein Theatre, Shakespeare & Company, 70 Kemble St, Lenox | 413.637.3353 | Through March 8 | Curtain 7 pm Fri-Sat | 2 pm Sun | $28.80

BAD JAZZ | Zeitgeist Stage Company presents the New England premiere of Brit writer Robert Farquhar's cheeky 2007 satire of the sordid side of theater bleeding into the sordid side of life. Revolving around the doings of some gritty thespians, the play begins with a discussion of whether an on-stage sex act should or should not be simulated and moves from there to dildos, dead dogs, disembowelment, and anal sex to the tune of "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat. David J. Miller fields a capable cast, but the aggressively tasteless, sometimes quite funny show outstays its welcome. | Boston Center for the Arts Plaza, 539 Tremont St, Boston | 617.933.8600 | Through February 21 | Curtain 8 pm Thurs-Fri | 4 + 8 pm Sat | $35; $25 students, seniors

THE BEST LITTLE WHOREHOUSE IN TEXAS | Turtle Lane Playhouse revives the 1978 Broadway musical by Larry L. King and Peter Masterson, with music and lyrics by Carol Hall, set at Miss Mona's Chicken Ranch, a Texas bordello in operation since 1850. James Tallach directs. | Turtle Lane Playhouse, 283 Melrose St, Auburndale | 617.244.0169 | Through March 15 | Curtain 8 pm Thurs-Sat | 2 pm Sun | $25-$27.50

BLACKBIRD | David Harrower's play won the 2007 Olivier Award for Best New Play; SpeakEasy Stage Company presents its area premiere. Elliot Norton Award winner David R. Gammons directs the show, which "tells the story of a meeting between two people, Ray and Una, who 15 years ago had a passionate affair. Emotions run high as the pair recall their scandalous relationship and attempt to come to terms with the shattering truth of their abandoned love." Marianna Bassham and Bates Wilder make up the cast. | Roberts Studio Theatre, Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont St, Boston | February 20–March 21 | Curtain 7:30 pm Tues [March 17] | 7:30 pm Wed-Thurs | 8 pm Fri | 4 + 8 pm Sat | 3 pm Sun | $47-$50; $42-$45 students, seniors; $30 gallery seats; $14 student rush, with ID, one hour before curtain, subject to availability

BLUE MAN GROUP | The Drama Desk Award–winning trio of cobalt-painted bald pates begin their delightful and deafening evening of anti–performance art beating drums that are also deep buckets of paint, so that sprays of color jump from the instruments like breaking surf, and end by engulfing the spectators in tangles of toilet paper. | Charles Playhouse, 74 Warrenton St, Boston | 617.931.ARTS | Indefinitely | Curtain 8 pm Wed-Thurs | 7 pm Fri | 2 + 5 + 8 pm Sat | 1 + 4 pm Sun | $58; $48 limited view; $25 student rush

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Related: 'Drowsy Chaperone', Poking Musicals in the Funny Bone, Begins L.A. Run, Winnning ways, I sink, therefore I am, More more >
  Topics: Theater , Elvis Presley, Entertainment, Steven Barkhimer,  More more >
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ARTICLES BY CAROLYN CLAY
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  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.
  •   THE GAMES PEOPLE PLAY  |  October 07, 2009
    Who’s afraid of Edward Albee?

 See all articles by: CAROLYN CLAY

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