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Play by Play: March 13, 2009

Plays A to Z
By CAROLYN CLAY  |  March 10, 2009

BAD DATES | Merrimack Repertory Theatre hosts this co-production with Lenox-based Shakespeare & Company of Theresa Rebeck's one-woman comedy about a divorced single mom with a closet stuffed with 600 pairs of shoes, a restaurant-management job that may have Romanian mob connections, and a dubious romantic life. She regales us as she prepares for and winds down from the largely unsuccessful liaisons of the title. Ace comedienne Elizabeth Aspenlieder stars. | Merrimack Repertory Theatre, 50 East Merrimack St, Lowell | 978.654.4MRT | March 19–April 12 | Curtain 2 pm [March 25] + 8 pm Wed | 8 pm Thurs-Fri | 4:30 pm [no March 21] + 8:30 pm Sat | 2 + 7 pm [no evening April 12] Sun | $26-$56

BLACKBIRD | David Harrower's play won the 2007 Olivier Award for Best New Play (beating out Rock 'n' Roll, The Seafarer, and Frost/Nixon), and now SpeakEasy Stage Company presents its area premiere, with Elliot Norton Award winner David R. Gammons directing. Sixteen years earlier, as we find out almost a third of the way into the 90 minutes, the 40-year-old Ray, after a long flirtation, took the 12-year-old Una to an inn, where they had sex. Ashamed, he left her there alone. Now the two of them have met up in Ray's office in an industrial building, and their shifting stories of what happened make for shifting emotional sands — for them, as well as for us. This is a crack production: Bates Wilder and Marianne Bassham do a sterling job with the spare, half-sentence dialogue that has its roots in Pinter and Mamet, and Gammons is Boston's master of ultra-violence. | Roberts Studio Theatre, Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont St, Boston | Through March 21 | Curtain 7:30 pm Tues | 7:30 pm Wed-Thurs | 8 pm Fri | 4 + 8 pm Sat | 3 pm Sun | $47-$50; $42-$45 students, seniors; $30 gallery seats; $14 student rush, with ID, one hour before curtain, subject to availability

A BLESSING AND A CURSE: A DUET OF PLAYS ON MOTHERHOOD | Spiced Wine Productions is the force behind the world premiere of this double bill of one-acts by area playwright Ginger Lazarus. Fran Weinberg directs Benny and Serena's High School Graduation, a bittersweet comedy about a mom struggling to do what's best as her valedictorian son leaves the nest, and Mary, "a wild spin on one of the most famous mothers of all time" in which the mother of God is preparing to save the world when an angel appears with the offer of an entirely new mission. | Boston Playwrights' Theatre, 949 Comm Ave, Boston | 866.811.4111 | Through March 15 | Curtain 8 pm Thurs-Sat | 2 + 7 pm Sun | $20; $15 students, seniors

BLUE MAN GROUP | The Drama Desk Award–winning trio of cobalt-painted bald pates begin their delightful and deafening evening of anti–performance art beating drums that are also deep buckets of paint, so that sprays of color jump from the instruments like breaking surf, and end by engulfing the spectators in tangles of toilet paper. | Charles Playhouse, 74 Warrenton St, Boston | 617.931.ARTS | Indefinitely | Curtain 8 pm Wed [March 25] | 8 pm Thurs | 7 pm Fri | 4 + 7 + 10 pm Sat | 1 + 4 pm Sun | $48-$62; $30 student rush

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Related: Play by Play, May 8, 2009, Play by play: May 29, 2009, Review: The Seagull, The Corn Is Green, More more >
  Topics: Theater , Entertainment, Music, Arsenal Center for the Arts,  More more >
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ARTICLES BY CAROLYN CLAY
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  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.
  •   THE GAMES PEOPLE PLAY  |  October 07, 2009
    Who’s afraid of Edward Albee?

 See all articles by: CAROLYN CLAY

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