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Play by Play: April 10, 2009

Plays A to Z
By CAROLYN CLAY  |  April 8, 2009

OPENING

AIN'T MISBEHAVIN' | Erstwhile American Idol Ruben Studdard stars in this 30th-anniversary national tour of the Tony-winning 1978 musical revue by Murray Horowitz and Richard Maltby Jr. built on the tunes of composer, stride pianist, and 1930s Harlem fixture Thomas 'Fats' Waller, among them "Honeysuckle Rose," "This Joint Is Jumpin'," and "Your Feet's Too Big." Maltby Jr. is at the helm; the cast includes two other Idol alums, Frenchie Davis and Trenyce Cobbins. Citi Performing Arts Center and the City of Boston are the presenters. | Strand Theater, 543 Columbia Road, Dorchester | 866.348.9738 | April 10-12 | Curtain 8 pm Fri | 2 + 8 pm Sat | 3 pm Sun | $28-$58

ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY | Boston Children's Theatre brings to the stage children's author Judith Viorst's 1998 musical version of her popular 1972 tome about the title kid and a particularly rotten if hardly extraordinary 24 hours. | Grand Lodge of Masons of Massachusetts, 186 Tremont St, Boston | 617.424.6634 | April 18–May 3 | Curtain 2 pm Wed-Sat [Wed-Thurs April 22-23 only] | $12-$20

ANTIRETROVIRALS AND WATER REFUGEES: A LIVING NEWSPAPER ON HAITI | MIT Dramashop utilizes puppets, shadow theater, toy theater, video and audio sampling, and live brass music as it "looks at the past, present, and future of Haiti in terms of the politics of global health care as refracted through the work of Paul Farmer's Partners in Health organization and its fight against AIDS." MIT guest artist and puppeteer John Bell directs. Post-show discussions follow. | Kresge Little Theater at MIT, 48 Mass Ave, Cambridge |www.dramashop.mit.edu/tickets| April 9-17 | Curtain 8 pm Wed-Sat | $8; $6 students

CHARLOTTE'S WEB | Roll over, Beth of Little Women fame — there may be no bigger tearjerker in youth literature than the demise of the arachnid who befriends a pig in E.B. White's classic tale. It's brought to the stage by Joseph Robinette; Jane Staab directs a cast led by Merle Perkins, Robert Saoud, and Grace Brakeman. | Wheelock Family Theatre, 200 the Riverway, Boston | 617.879.2300 | April 10–May 10 | Curtain 1 pm Tues-Thurs [April 21-23] | 1 pm [April 24] + 7:30 pm Fri | 3 pm Sat-Sun | $15-$25; $10 Pajama Party Fridays; $13 Teens Take Charge

DAME EDNA: MY FIRST LAST TOUR | The lavender-locked, gladioli-hurling female alter ego of Australian comic Barry Humphries returns with "her new and uniquely intimate offering, which she created on her private multi-million-acre, possum-infested luxury estate in her native Australia." Don't sit too near the front unless you're into audience participation, which, whether you're willing or not, will ensue, as Dame Edna unleashes her sequined splendor and confides her deepest thoughts. | Colonial Theatre, 106 Boylston St, Boston | 800-982-2787 | April 16-19 | Curtain 7:30 pm Thurs | 8 pm Fri | 2 + 8 pm Sat | 3 pm Sun | $50-$67.50 | Jim Sullivan's interview with Dame Edna in "Back Talk," on page 58

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Related: Perfect Tenn, Cry me a river, I sink, therefore I am, More more >
  Topics: Theater , Entertainment, Music, Huntington Theatre Company,  More more >
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ARTICLES BY CAROLYN CLAY
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  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.
  •   THE GAMES PEOPLE PLAY  |  October 07, 2009
    Who’s afraid of Edward Albee?

 See all articles by: CAROLYN CLAY

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