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Tough neighborhoods

By CAROLYN CLAY  |  April 7, 2009

As for the play's toys in the Attic, the doll contingent constitutes an effective visual metaphor, with the dead of Troy represented by broken moppets dangled from a rod above the skewed wreckage of David Reynoso's brutalist set and the corpse of Hecuba's murdered grandson, Astyanax, stood in for by a shattered figurine not even Lotte can repair. But what has any of this to do with the half-century-old icon of Mattel? Evans might have made more of the parallels between plastic, empty-headed Barbie and Helen, the latter portrayed by Institute student Careena Melia as a Rita Hayworth type trailing classically inspired gowns and old-movie music. But she doesn't. In fact, Evans's Helen is smart enough to use her feminine wiles to score Perrier and aspirin from the troops and can't understand why her fellow captives do not.

Long-time Súgán Theatre Company honcho Carmel O'Reilly is at the helm of the striking production, which serves as a showcase for a talented Institute posse that also includes Nina Kassa as the luridly prescient Cassandra and Skye Nöel as a pearl-clad Mad Men–era Andromache. But Trojan Barbie remains less a fully thought-out cohesion than something you might find in the playwriting aisle of Ploys "R" Us.

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ARTICLES BY CAROLYN CLAY
Share this entry with Delicious
  •   NO COUNTRY FOR OLD MEN  |  December 01, 2009
    Louis de Rougemont makes James Frey look like a documentarian. A sickly Victorian lad who arose from his cot, knocked around the Southern Hemisphere for a while, and returned to England with a hifalutin new moniker and captivating tales of seafaring perils and aboriginal idylls, he was the subject of a popular serialized autobiography.
  •   LINCOLN YULE LOG  |  November 24, 2009
    Abraham Lincoln, as he said in his second inaugural address, yearned to "bind up the nation's wounds." Since the great man was assassinated little more than a month later, he didn't quite get around to it. No worry, Paula Vogel has taken over the job with A Civil War Christmas: An American Musical Celebration.
  •   DODGING DEATH  |  November 18, 2009
    Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
  •   MARS VS. VENUS  |  October 28, 2009
    It’s been 21 years since Speed-the-Plow first milked the cravenness of Hollywood and the self-described “whores” who turn its celluloid tricks. But David Mamet’s scathing, staccato comedy has held up at least as well as Madonna, who made her Broadway debut in the original 1988 production.
  •   ONLY CONNECT  |  October 20, 2009
    Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.

 See all articles by: CAROLYN CLAY

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