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Ticket to ride

By GREG COOK  |  April 21, 2009

I felt like I "got" the installation too quickly — cool lights plus strange giant tree plus weird sounds equals psychedelic funhouse light show. It's a neat-o thrill, definitely worth checking out, but it didn't stick with me — at least partly because . . . well, actually I didn't get what Lyon was trying to convey.

What I took to be a tree — a bit abstracted, a bit cartoony, but a tree — Lyon means to evoke something more elemental. His favored motifs are crystals and branching forms drawn from fundamental natural shapes that grow by fractal expansion. Think how veins in trees resemble the courses of great rivers. The sounds in the gallery too follow this "fractal motion, it's similar but it never repeats," Lyon says. "It's kind of random. If you look at the branches on a tree, they look the same but they're not the same. I like to think of it as the shape of life."

I wish the installation did more to point you to this compelling, meaty stuff Lyon is thinking about — how we affect our environment (see: interactivity), sustainable-living (he favors recycled materials), the nature of perception (the optical effects that create the "dragon eye"), and the wondrous mysteries of existence.

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Related: It Does Come Easy, Searching for a vision, Life in Hell, More more >
  Topics: Museum And Gallery , Rhode Island School of Design Museum, Mike Taylor, Michael Townsend,  More more >
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