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MEN OF TORTUGA | Apollinaire Theatre Company presents the area premiere of Jason Wells's first play, which debuted in 2005 at Chicago's Steppenwolf Theatre. In Wells's "brutally hilarious satire, three power brokers scheme with a weapons specialist to eliminate their enemy. But when one of them takes a young idealist under his wing, his long-dormant conscience begins to reawaken, forcing the cabal to concoct even more outlandish scenarios of annihilation and ponder whether the ends justify their means." Danielle Fauteux Jacques directs. | Chelsea Theatre Works, 189 Winnisimmet St, Chelsea | 617.887.2336 | Through May 17 | Curtain 8 pm Fri-Sat | 3 pm Sun | $18 in advance; $20 at the door; $15 student rush

THE MIRACLE AT NAPLES | Artistic director Peter DuBois is at the helm of this lively Huntington Theatre Company world premiere of David Grimm's commedia dell'arte–inspired sex farce about traveling players who land in Naples in 1580 just in time for an annual miracle that fails to take place. Social activity stops dead until San Gennaro's blood liquefies in the local church named for him, and this gives both players and townies time to engage in various erotic confusions. Grimm uses commedia as a jumping-off point for his own lust-inspired 21st-century themes, of course, and a brief commedia performance stops the play dead in its tracks. But if the raunchy show isn't perfect, it's rarely less than pleasurable, with particular comedic contributions from Lucy DeVito (whose famous dad would be proud) and Broadway vet Dick Latessa. | Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont St, Boston | 617.266.0800 | Through May 9 | Curtain 7:30 pm Thurs | 8 pm Fri | 2 + 8 pm Sat | $20-$60; $10 discount BU community; $25 patrons 35 and under; $15 student rush, with college ID, two hours before curtain

A MOON FOR THE MISBEGOTTEN | This Merrimack Repertory Theatre revival of Eugene O'Neill's redemptive drama is a co-production with Norfolk's Virginia Stage Company and is directed by Edward Morgan, who describes the encounter between drunk, self-loathing Jamie Tyrone and earth mother Josie Hogan as "part rollicking Irish comedy; part lyrical, soulful drama." | Merrimack Repertory Theatre, 50 East Merrimack St, Lowell | 978.654.4MRT | Through May 17 | Curtain 8 pm Wed-Fri | 4:30 + 8:30 pm Sat | 2 + 7 pm Sun | $26-$56; student, senior, discounts

A NIGHT AT THE ROCK OPERA | Ultrasonic Rock Orchestra, a Boston-based group "committed to bringing the best of classic rock to life for those who've never had a chance to hear it LIVE in 3-D," reprises its evening-long orgy of the Who, David Bowie, the Beatles, and Queen — and threatens to throw some Led Zeppelin into the mix. | Stuart St Playhouse, 200 Stuart St, Boston | 800.447.7400 | Through June 27 | Curtain 7:30 pm Sat | $39.50

NOISES OFF | Malcolm Morrison is at the helm of this Hartford Stage production of British writer Michael Frayn's hilarious and precise backstage farce, which follows a touring production of a clichéd British sex farce as it unravels on the road. | Hartford Stage, 50 Church St, Hartford, Connecticut | 860.527.5151 | Through May 17 | Curtain 7:30 pm Tues-Thurs + 2 pm Wed | 8 pm Fri | 2 pm [May 16] + 8 pm Sat | 2 pm + 7:30 pm [evening May 10] Sun | $23-$66; limited number $10 "Ten Spot" tickets; half-price "What a Rush!" tickets, at the box office two hours before curtain; $10 discount students, children

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Related: Play by Play: March 13, 2009, Play by play: May 29, 2009, Review: The Seagull, The Corn Is Green, More more >
  Topics: Theater , Entertainment, Music, Arsenal Center for the Arts,  More more >
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ARTICLES BY JEFFREY GANTZ
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  •   IS IT MAGIC YET?  |  December 01, 2009
    When you've seen every Boston Ballet Nutcracker for the past 20-odd years, and reviewed most of them, it can get a little hard to locate the magic. Then again, when you survey other Nutcracker s around the world you appreciate that there's no place like home, and not many that are as good.
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  •   PLAY BY PLAY: NOVEMBER 13, 2009  |  November 11, 2009
    Boston's weekly theater schedule
  •   REVIEW: SEVERED WAYS: THE NORSE DISCOVERY OF AMERICA  |  November 04, 2009
    Tony Stone’s “love letter to the Vikings’ discovery of the New World, pagan iconography, brute manliness, and simpler times” is set in the simpler (?) time of 1007 AD.
  •   REVIEW: BAD BOY MADE GOOD  |  November 03, 2009
    If Igor Stravinsky’s Sacre du printemps paved the way for modern rock, then George Antheil’s Ballet mécanique made possible every genre of contemporary music with “noise” or “metal” in its name.

 See all articles by: JEFFREY GANTZ

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