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Boston Theater Marathon XI

Schedule of plays
By JEFFREY GANTZ  |  May 14, 2009


SUNDAY MAY 17

Noon–1 pm

Joan, Joan, Joan and Hitler by Ryan Landry/Gold Dust Orphans

But for the Grace of God by Laura Crook/Village Theatre Project

A Purge for a Poetaster by Robert Brustein/American Repertory Theatre

Safely Assumed by Andrea Fleck Clardy/Boston Playwrights' Theatre

A New Day by Lydia Diamond/Boston Center for American Performance

 

1-2 pm

St. Cloud by Vladimir Zelevinsky/Another Country Productions

White People by Ken Urban/Huntington Theatre Company Her Eyes by Scott McCrea/Cape Repertory Theatre

Missed Exit by Nina Mansfield/SpeakEasy Stage Company

Last Meal by Julia Harman Cain/Salem Theatre Company

 

2-3 pm

The Second Coming by Rosanna Yamagiwa Alfaro/Nora Theatre Co.

The Interview by Scott Malia/Emerson Stage

Lifer byToby Armour/Our Place Theatre Project

Please Report Any Suspicious Activity by Rick Park/Phoenix Theatre

Recognition by Patrick Gabridge/Wellesley Summer Theatre

 

3-4 pm

Lockdown by George Brant/Perishable Theatre

Annie Desmond Gets a Tattoo by Kirsten Greenidge/Company One

Small Window by George Sauer/Centastage

The Liquidation of the Cohn Estate by Edmond Caldwell/Stoneham Theatre

Inheriting Cleo by Stephen Faria/Actors' Studio of Newburyport

 

4-5 pm

Nesting by Karmo Sanders/Holland Productions

Sugar Glider by William Donnelly/Battleground State

The Pre-Nup by Marisa Smith/Foothills Theatre

Be the Hunter by Tom Coash/Fort Point Theatre Channel

When No One Comes Calling by George Spelvin/Rough & Tumble


5-6 pm

The Great Mail Robbery by Jeanne Beckwith/Shakespeare & Co.

Close Your Eyes by Erin Striff/Boston Actors Theater

Sur La Maison by Michael J. Grady/Elemental Theatre Collective

No Skating by Dana Biscotti Myskowski/Actors' Shakespeare Project

The Sweep by Gary Garrison/Zeitgeist Stage Company


6-7 pm

Waiting for Gretchen by Susan Kosoff/Wheelock Family Theatre

Gwen & Evelyn by Paul H. Goodwin/Blackburn Performing Arts

Mikey D. by John Shea/Orfeo Group

The Sentry by Michael Tooher/Boston Children's Theatre

Headbanger by Ronan Noone/New Repertory Theatre


7-8 pm

Family First by Regina Eliot-Ramsey/Playwrights' Platform

If at First . . . by John Edward O'Brien/Mill 6 Theatre Collaborative

Gone by Ed Bullins/Roxbury Crossroads Theatre

Trofimov, A Student by William Orem/Image Theater

Not Funny by Christopher Lockheardt/Metro Stage Company


8-9 pm

Class Act, Version 379 by Holly L. Jensen/Turtle Lane Playhouse

Boundless As the Sea by Susan Thompson/Pilgrim Theatre

Perspective by Peter M. Floyd/FortyMagnolias Productions

Abraham and Sarah by Alan Brody/Underground Railway Theater

Importees by Dana Yeaton/Riverside Theatre Works


9-10 pm

Laying the Smack Down in Cambridge by Jonathan Busch/Lyric Stage

Nine Lives by Danielle Slepian/Apollinaire Theatre Company

Sarasota by Melinda Lopez/Publick Theatre

What Strong Fences Make by Israel Horovitz/Barefoot Theatre & GSC

Talkback by Jack Neary/New Century Theatre

Related: Play by Play, May 8, 2009, Play by Play, May 15, 2009, Play by play: May 29, 2009, More more >
  Topics: Theater , Entertainment, Boston, Performing Arts,  More more >
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ARTICLES BY JEFFREY GANTZ
Share this entry with Delicious
  •   IS IT MAGIC YET?  |  December 02, 2009
    When you've seen every Boston Ballet Nutcracker for the past 20-odd years, and reviewed most of them, it can get a little hard to locate the magic. Then again, when you survey other Nutcracker s around the world you appreciate that there's no place like home, and not many that are as good.
  •   PLAY BY PLAY: DECEMBER 4, 2009  |  December 02, 2009
    Boston's weekly theater schedule
  •   PLAY BY PLAY: NOVEMBER 20, 2009  |  November 18, 2009
    Boston's weekly theater listings
  •   PLAY BY PLAY: NOVEMBER 13, 2009  |  November 11, 2009
    Boston's weekly theater schedule
  •   REVIEW: SEVERED WAYS: THE NORSE DISCOVERY OF AMERICA  |  November 04, 2009
    Tony Stone’s “love letter to the Vikings’ discovery of the New World, pagan iconography, brute manliness, and simpler times” is set in the simpler (?) time of 1007 AD.

 See all articles by: JEFFREY GANTZ

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