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A NIGHT AT THE ROCK OPERA | Ultrasonic Rock Orchestra, a Boston-based group "committed to bringing the best of classic rock to life for those who've never had a chance to hear it LIVE in 3-D," reprises its evening-long orgy of the Who, David Bowie, the Beatles, and Queen — and threatens to throw some Led Zeppelin into the mix. | Stuart St Playhouse, 200 Stuart St, Boston | 800.447.7400 | Through June 27 | Curtain 7:30 pm Sat | $39.50

PINTER'S MIRROR | Shakespeare and Company offers Elizabeth and Malcolm Ingram in three one-act plays, A Slight Ache (1961), Family Voices (1980), and Victoria Station (1982). | Shakespeare & Company, Elayne P. Bernstein Theatre, 70 Kemble St, Lenox | 413.637.3353 | Through August 2 | Curtain various times | $16-$34; $11-$29 students, seniors


INDEFINITELY

BLUE MAN GROUP | The Drama Desk Award–winning trio of cobalt-painted bald pates begin their delightful and deafening evening of anti–performance art beating drums that are also deep buckets of paint, so that sprays of color jump from the instruments like breaking surf, and end by engulfing the spectators in tangles of toilet paper. | Charles Playhouse, 74 Warrenton St, Boston | 617.931.ARTS | Indefinitely | Curtain 8 pm Tues-Thurs | 7 pm Fri | 2 + 5 + 8 pm Sat | 4 + 7 pm Sun | $48-$62; $30 student rush

SHEAR MADNESS | The dramatis personae of the audience-participation whodunit (which is now the longest-running non-musical in American theater history, having run 29 years in Boston) continue to comb Newbury Street for the murderer of a classical pianist who lived over the unisex hair salon where the show is set. | Charles Playhouse Stage II, 74 Warrenton St, Boston | 617.426.5225 | Indefinitely | Curtain 8 pm Tues-Fri | 6 + 9 pm Sat | 3 + 7 pm Sun | $42; $31.50 with AAA discount; half-price college-student rush, one ticket per college ID, at the box office, one hour prior to curtain

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Related: Play by Play: June 19, 2009, Play by play: August 21, 2009, Play by Play: July 3, 2009, More more >
  Topics: Theater , Entertainment, Movies, Neil Simon,  More more >
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ARTICLES BY JEFFREY GANTZ
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  •   IS IT MAGIC YET?  |  December 01, 2009
    When you've seen every Boston Ballet Nutcracker for the past 20-odd years, and reviewed most of them, it can get a little hard to locate the magic. Then again, when you survey other Nutcracker s around the world you appreciate that there's no place like home, and not many that are as good.
  •   PLAY BY PLAY: NOVEMBER 20, 2009  |  November 18, 2009
    Boston's weekly theater listings
  •   PLAY BY PLAY: NOVEMBER 13, 2009  |  November 11, 2009
    Boston's weekly theater schedule
  •   REVIEW: SEVERED WAYS: THE NORSE DISCOVERY OF AMERICA  |  November 04, 2009
    Tony Stone’s “love letter to the Vikings’ discovery of the New World, pagan iconography, brute manliness, and simpler times” is set in the simpler (?) time of 1007 AD.
  •   REVIEW: BAD BOY MADE GOOD  |  November 03, 2009
    If Igor Stravinsky’s Sacre du printemps paved the way for modern rock, then George Antheil’s Ballet mécanique made possible every genre of contemporary music with “noise” or “metal” in its name.

 See all articles by: JEFFREY GANTZ

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