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Fringe benefits

By LIZA WEISSTUCH  |  April 11, 2006
The portrayal of outrageous harrying of innocent civilians seems less far-fetched than it would have had there been no controversy around the Bush administration’s unwarranted wiretapping. Yes, the play is swathed in absurdity, but the material is woven from the fabric of reality. What allows Rosa to rise above the classification of paranoid, conspiracy-laden hokum is that playwright Snoad doesn’t take himself seriously. Kersey’s Lewis is a satiric cross between hard-boiled Sam Spade and Inspector Clouseau, who gets more excited about alliteration and onomatopoeia than about solving terror plots. Given the timeliness of what he’s up to, that’s a scary notion in itself.
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Related: Passion by proxy, Just a gigolo, Tongue untied, More more >
  Topics: Theater , Entertainment, Culture and Lifestyle, Language and Linguistics,  More more >
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ARTICLES BY LIZA WEISSTUCH
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  •   SPRING AWAKE  |  March 17, 2009
    Head to the American Repertory Theatre's Zero Arrow Theatre for the world premiere of Christine Evans's TROJAN BARBIE (March 28–April 22).
  •   WINTER'S TALES  |  December 29, 2008
    The cold season heats up on Boston boards
  •   LONELY HEARTS NIGHT  |  February 19, 2008
    Merritt had a tummy ache from dinner at Porter Exchange. (“So don’t fuck with me,” he warned.)
  •   PRIMARY COLORS  |  December 26, 2007
    Now that the holiday hubbub is behind us, we have no dreams of white Christmases or visions of Sugar Plum Fairies to warm a theatergoer’s heart.
  •   GLITTER BUT NO GLAM  |  December 10, 2007
    Billing a show as a “Glamstravaganza” sets up some specific expectations: glitter, light shows, epic anthems, stylish sleaze, full-length knitted body stockings, more glitter.

 See all articles by: LIZA WEISSTUCH

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