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JON GARELICK
Latest Articles
Mixed messages
3play+ do what they wanna; Melody Gardot follows her instincts
Given the sound of its first track (which is also the title of the album), you'd have every reason to think that 3play+'s debut CD is about to plunge you into Bill Frisell–style Americana.
By:
JON GARELICK
| June 02, 2009
The Fully Celebrated | Drunk on the Blood of the Holy Ones
AUM Fidelity (2009)
After two albums with cornettist Taylor Ho Bynum, and now dropping "Orchestra" from their name, this venerable Boston avant-garde street band are again a trio — and they're still a virtuoso ensemble.
By:
JON GARELICK
| May 18, 2009
Tours of duty
John Clifford and Billy Bang's Vietnam; plus Icons Among Us and bye-bye Jazz Brunch
Clifford and Bang will celebrate Memorial Day weekend together at Highland Kitchen in Somerville this Sunday in a program called "Basic Training: An Evening of Art, Music, and Poetry."
By:
JON GARELICK
| May 18, 2009
Making it right
New Orleans drops the guns and dances
Whatever increments of recovery New Orleans has made since Hurricane Katrina, in many ways the city never changes. The only shocker was a lower-left-hand piece, "Crime is down sharply in N.O."
By:
JON GARELICK
| May 05, 2009
Museum pieces and other pieces
Jazz Week returns, the Jazz Hall of Fame inducts, Ron Gill says bye
It's Jazz Week time again — that time when the Boston jazz community looks to expand its minority-appeal music to a larger public.
By:
JON GARELICK
| April 21, 2009
Frank Carlberg | The American Dream
Red Piano (2009)
Other jazz musicians have set the poetry of Robert Creeley to music. Here poetry takes on the form of incantation in the repetition of Creeley's short, oblique verses.
By:
JON GARELICK
| April 21, 2009
Fred Woodward | Urban Garden
Ujam (2009)
Veteran Boston jazz guitarist Fred Woodard comes from the Wes Montgomery and Grant Green schools of elegant post-bop funk with a contemporary spin of hip-hop and avant-garde.
By:
JON GARELICK
| April 14, 2009
Group efforts
Fly and the Tiptons
In November 2008, cutting firewood at his home in Brooklyn, Mark Turner, 42, arguably the most influential tenor-saxophonist of his generation, lost control of the power saw he was using.
By:
JON GARELICK
| April 07, 2009
Interview: Ricky Jay
Ricky Jay discusses his latest work, A Rogue's Gallery: An Evening of Conversation & Performance
"There are people who react strangely. I've had people who will clutch rosary beads or throw glasses."
By:
JON GARELICK
| April 01, 2009
John Scofield | Piety Street
EmArcy (2009)
On the surface, this would seem a genre exercise — a professor/doctor of jazz guitar looking into the deep book of American gospel because it's . . . "interesting." But Scofield's integrity remains intact.
By:
JON GARELICK
| March 30, 2009
Modern vintage
Lake Street Dive and Miss Tess go their own ways
Boston bands Lake Street Dive and Miss Tess and the Bon Ton Parade are different, but with a lot in common.
By:
JON GARELICK
| April 08, 2009
DIY and more
Regattabar, Scullers, Creative Nation Music's fifth-anniversary celebration and more
Jazz acts up
By:
JON GARELICK
| March 30, 2009
Covers uncovered
The Bad Plus plus a singer
The Bad Plus plus a singer
By:
JON GARELICK
| March 09, 2009
Ran Blake | Driftwoods
Tompkins Square (2009)
You probably don't think about an acoustic jazz pianist's use of the sustain pedal except when you're listening to Ran Blake.
By:
JON GARELICK
| March 10, 2009
Madeleine Peyroux | Bare Bones
Rounder (2009)
You could say that Peyroux's third album for Rounder in five years is just more of the same.
By:
JON GARELICK
| March 03, 2009
Proud to jump the shark
Macho, loopy, and entertaining as hell, The Unit is prime Mamet
Who but David Mamet would have the macho audacity to name his TV show after the male genitalia?
By:
JON GARELICK
| February 25, 2009
Streaming
Bad Touch's Magic flow; plus Patricia Barber
It's standard operating procedure these days for young jazz bands to mix the free and the formal.
By:
JON GARELICK
| February 27, 2009
Musical acrobats
Antonio Sanchez's ambidextrous mind, and Cirkestra's big top
Having Antonio Sanchez explain the difference between "straight 8's" and "swing 8's" is a bit like having Einstein explain long division — total waste of the dude's time.
By:
JON GARELICK
| February 09, 2009
David Fiuczynski | KiF Express
Fuzelicious Morsels (2009)
This latest album from Screaming Headless Torsos guitarist David Fiuczynski's KiF doesn't worry about subtlety.
By:
JON GARELICK
| February 03, 2009
Avanti!
Garrison's Fewell's journey out
By the time guitarist Garrison Fewell made his first record as a leader, in the early '90s, he was nearly 40 years old, and the sound he displayed on his debut, A Blue Deeper Than Blue , was ripe.
By:
JON GARELICK
| February 06, 2009
Review: Joshua Redman's Compass
Nonesuch
Redman's previous CD, 2007's Back East , was front-loaded with high-concept expectations.
By:
JON GARELICK
| January 12, 2009
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Talking Politics
| March 24, 2013 at 11:09 AM
Mo Takes His Turn
March 21, 2013 at 12:59 PM
[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download
| March 18, 2013 at 3:22 PM
See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame
| March 18, 2013 at 11:00 AM
See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM
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BLOG POSTS BY JON GARELICK
New Orleans Notes: The 2012 New Orleans Jazz & Heritage Festival
[live review] Wild Flag @ the Paradise
[live review] Robert Glasper Experiment at the Regattabar
[live review] Carolina Chocolate Drops at Berklee
[live review] Glen Campbell at the Wilbur Theatre
[live review] Miss Tess & the Bon Ton Parade at the Lizard Lounge
[live review] Branford Marsalis and Joey Calderazzo at the MFA
[live review] Joe Lovano and Dave Douglas at Scullers
[live review] Allman Brothers Band at the Orpheum Theatre November 29
[live review] The Bangles at the Wilbur Theater