The Phoenix > Movies

French disconnections
The new-wavers at the French Film Festival BY PETER KEOUGH

Unusual, probing, and honest

Review: Jerichow
Disastrous, but unexpected
Review: The Girl From Monaco
Satisfying and not overly complicated
Review: Public Enemies
Michael Mann's reheated crime waive
Review: Ice Age: Dawn of the Dinosaurs
Pummeling awfulness
Review: My Sister's Keeper
Not quite the sum of its parts
Review: Transformers
Mechanical failure; expect no change from this Transformers
Review: Year One
Not everything Judd Apatow touches is gold.
Review: $9.99
Gives you your money's worth
Review: Chéri
As much esprit as a diorama
Review: Milton Glaser: To Inform and Delight
Smitten with its subject, with good reason.
Review: The Stoning of Soraya M.
Plays out like a TV movie
Review: Women of Faith
Means well, but the execution is flawed
Review: Whatever Works
Look on Works and despair
Review: Moon
Duncan Jones's debut is more alienation than Alien

The new-wavers at the French Film Festival

What John did and saw
Dillinger and Manhattan Melodrama
Phoenix staffers win at 48-hour Film Festival
Phoenix staffers' film wins top prize at 48 Hour Film Festival
Style meets stylus
Eastern-inspired digital delights at the Brattle
Festival atmosphere
Between the Blockbuster and the beach there are the film festivals of New England
Cannes job
Five films to watch for
Cannes goods
Tarantino, Antichrist , and a well-lit genitalia show; why the French film festival is like no other
Dark passage
Film noir and the Production Code at the MFA
Interview: Pete Docter
3-D or not 3-D? That is the first question . . .
Cannes International Film Festival 2009
62nd Festival de Cannes
A star is porn
Adult-film star Sasha Grey makes her mainstream debut
Cross country trek
A two-day mission
Coolidge compliments Quays
Puppet Masters
Interview: James Toback
Director James Toback tackles legendary boxing champ Tyson in a new documentary
Zombie survival guide
If you value your grey matter, stay inside this weekend