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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Akeelah and the Bee
Strong performances lift underdog story
By
BRETT MICHEL
|
April 25, 2006
AKEELAH AND THE BEE
" alt="photo of 'AKEELAH AND THE BEE'">
3.0
Stars
How do you spell fortuity? Ask writer/director Doug Atchison. The etymology of his Nicoll Award–winning screenplay can be traced back some six years, in which time spelling bees have gone from abecedarian underground to hot cinematic property. Arriving on the wings of Jeffrey Blitz’s
Spellbound
and Scott McGehee & David Siegel’s
Bee Season
, Atchison’s underdog story may be conventional, but it’s elevated by the buzzworthy performance of 12-year-old newcomer Keke Palmer as Akeelah. (If she can spell her name, she can certainly spell “pulchritude.”) Motivated by her underfunded headmaster (Curtis Armstrong) and coached by UCLA professor Larabee (Laurence Fishburne), Akeelah progresses from her middle-school competition straight through to the nationals. Will her overprotective mother (Angela Bassett) or a competitor’s stereotyped Asian father (“Silly black girl!”) thwart a storybook ending? No need to spell this one out.
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,
Laurence Fishburne
,
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,
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,
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,
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,
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Watch the trailer for
Akeelah and the Bee
(QuickTime)
ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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