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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Left Lane: On The Road With Alix Olson
A love letter to "one of the 10 most dangerous women in America."
By
PETER KEOUGH
|
May 5, 2006
LEFT LANE: ON THE ROAD WITH ALIX OLSON
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Left Lane: On the Road with Alix Olson
Samantha Farinella’s documentary
Left Lane: On the Road With Alix Olson
is a love letter to her subject. Effusive accolades from fans, colleagues, and figures in the feminist and gay-rights movement fill every frame, but no one loves Olson as much as she does herself. And rather than righteous rage or creative energy, her ranted poetry smacks of self-congratulation. In one effort she compares herself favorably with Adrienne Rich, Flannery O’Connor, Gertrude Stein, and bell hooks, punctuating her self-praise with a trademark smirky grin and hiccupping intakes of breath like those of a born-again preacher. Except for “8 x 10,” her stuff sounds like the same old radical platitudes and canards. And Farinella doesn’t allow much in the way of opposition. In one interview on Progressive Radio, the host winkingly points out that the right-wing organization Concerned Women of America has named Olson “one of the 10 most dangerous women in America.” Dangerous for which side?
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War, peace, and Robert Pinsky
Every few years, a fall publishing season emerges that should remind us that Boston could be the literary epicenter of America.
Reflections on a golden filmmaker
John Huston had such a long, illustrious career as a film director — just a few years short of half a century — that any series in his honor that isn’t comprehensive has to feel truncated.
Dark days for history
Once again, it’s February. The shortest month of the year, our coldest stretch of weather and, hold on, it’s Black History Month, too.
Aesthetic genius
When I saw Marisha Pessl in the New York Times Style Section, meticulously posed on an antique chair wearing a pair of high heels and a coy smile, I cringed.
Sweet fallout
Philip Whalen (1923–2002) is a great American poet.
Easy to love
Given the water wings of a viable performance, one-person shows about historical figures tend to sink or swim on the raconteurship of their subjects.
Play by play: April 3, 2009
Plays around town
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They were, by definition, misfits.
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It would be fun to report that in the same weekend Bostonians got to hear two operas from two different centuries that take place on their home turf.
Interview: Art Spiegelman
"When you don't understand a painting, you assume you're stupid. When you don't understand a cartoon, you assume the cartoonist is stupid."
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ARTICLES BY PETER KEOUGH
REVIEW: FOLLOW ME: THE YONI NETANYAHU STORY
| May 29, 2012
Whatever your opinion of the policies of Benjamin Netanyahu, Prime Minister of Israel, you can't deny that his brother Yoni was a hero, a courageous man whose conflicts and triumphs mirror those of his homeland.
REVIEW: MOONRISE KINGDOM
| June 01, 2012
Wes Anderson should always make movies featuring characters who are pubescent or younger — like Rushmore , which until this film was his best.
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
See all articles by:
PETER KEOUGH
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