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Movies from outer space

By MICHAEL ATKINSON  |  November 30, 2006

Of the more recent vintage, Timur Bekmambetov’s sand-blasting pulp tirade NIGHT WATCH (2004; December 2, 7 pm) is a kneejerk inclusion, but Karen Shakhnazarov’s ZERO CITY (1988; December 2, 9:15 pm), a perestroika landmark, is easy to overlook: an absurdist, Kafka-esque comedy in which a Moscow engineer arrives in a small town to modify a tiny air-conditioner part, cannot get a straight answer, is met with all manner of surreal non-sequiturs, and eventually realizes he can never leave. If Buñuel had done time in a Communist country amid his many exiles, this might well have been the result. But it also makes you wonder how any such scenario ever found textual roots without the enriching benefit of a psychotic totalitarian bureaucracy — or perhaps contemplate how such a social context adds ferocious weight and size to any symbolic narrative idea. At any rate, once the empire fell (becoming, in critic J. Hoberman’s phrase, “the red Atlantis”), nostalgia quickly set in, itself a new kind of idealism. An amused yet rhapsodic expression of post-Soviet retrospection, Alexei Fedorchenko’s FIRST ON THE MOON (2005; December 10, 7 pm) is a festival fave that posits, in wistful mock-doc fashion, the secret Soviet lunar landing of 1938, complete with heroic cosmonaut and an archival love of retro-futurism.

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Related: History and truth, Shaw business, Once were films, More more >
  Topics: Features , Entertainment, Science and Technology, Henry Selick,  More more >
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ARTICLES BY MICHAEL ATKINSON
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 See all articles by: MICHAEL ATKINSON

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