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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Snow Cake
Marc Evan's mawkish soap opera
By
PETER KEOUGH
|
May 29, 2007
SNOW CAKE
1.0
Stars
VIDEO: Watch the trailer for
Snow Cake
.
It was thought that the Academy might consider one of the performances in Marc Evan’s mawkish and contrived soap opera for a nomination: Sigourney Weaver as the autistic Linda. But her turn is an embarrassing one, more like Boris Karloff as Frankenstein’s creation than Dustin Hoffman in
Rain Man
. The real Oscar candidate here is Alan Rickman as a restrained and sardonic stranger with a mystery past. Then again, Alex might just be Rickman’s rueful response to the hokum he has to work with. For some reason, Alex is driving cross-country to Winnipeg when a talky teen hitchhiker gets him to give her a lift. A semi blindsides the car, the girl dies, and he feels compelled to visit her mentally challenged mom to pay his respects because, you see, he . . . But we’ve already got too much manipulative nonsense going on, not the least of which is Weaver’s infantile gooing at snowflakes and shiny objects and her preternatural wisdom on the trampoline when she says, “We all have to get over it! Now, bounce me!”
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Nobel Son
On its surface, this quirky thriller from Randall Miller has indie-style appeal, with Alan Rickman in a delicious role as a gluttonous, philandering, narcissistic physics professor whose Nobel Prize win is deflated by the kidnapping of his rebellious philosophy-major son.
Crossword: 'I'm not a doctor!'
But I get this cool title anyway
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This Will Ferrell send-up attempts to do for bush-league basketball what Bull Durham did for baseball and Slap Shot for hockey.
February 2008
Monthly forecast
The Great Debaters
The deck is stacked in favor of our earnest heroes, since Robert Eisele’s formulaic script never once allows our debaters to argue a contrarian’s viewpoint.
P.S. I Love You
Gerry is the perfect dead man, showing up shirtless à la Ghost or in stagy flashbacks.
Blade Runner: The Final Cut
Neither the dick nor the dancer is entirely “human,” but that’s the clever conceit of Ridley Scott’s dystopian vision of 2019 Los Angeles.
Feast of Love
Feast of Love is a title that promises either extra helpings of the mysteries of the human heart or a smorgasbord of multiple positions.
Shoot 'Em Up
I had hoped, America, that you and I had outgrown a knife in the face and a one-liner coup de grâce equal parts Elmore Leonard and Bruce Vilanch.
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Evan Almighty
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ARTICLES BY PETER KEOUGH
REVIEW: FOLLOW ME: THE YONI NETANYAHU STORY
| May 29, 2012
Whatever your opinion of the policies of Benjamin Netanyahu, Prime Minister of Israel, you can't deny that his brother Yoni was a hero, a courageous man whose conflicts and triumphs mirror those of his homeland.
REVIEW: MOONRISE KINGDOM
| June 01, 2012
Wes Anderson should always make movies featuring characters who are pubescent or younger — like Rushmore , which until this film was his best.
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
See all articles by:
PETER KEOUGH
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