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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Tyler Perry’s Why Did I Get Married?
Another African-American life lesson
By
TOM MEEK
|
October 18, 2007
TYLER PERRY’S WHY DID I GET MARRIED?
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2.5
Stars
SMALL-BUDGET WONDER:
Why Did I Get Married
cheaply analyzes the assaults of lifelong union.
Another African-American life lesson from Tyler Perry, who’s on a roll tapping out small-budget wonders that score big at the box office. Gone is Perry’s Flip Wilson–esque persona, Aunt Madea. More mature matters are at hand as four successful couples retreat to the Rockies for a chummy reunion. It’s an ideal setting for the eight to gloat about their achievements, but inevitably the reality of their crumbling marriages comes to the fore. Leading the list of assaults on domestic tranquility are infidelity, obesity, and dishonesty — all of which Perry analyzes with non-partisan persistence. Although the contrived plotting at first clogs the works, the film comes into its own as it moves from the mountains back to the burbs, where the real drama begins. The performances might underwhelm, but Janet Jackson as the staid academic “Perfect Patty” delivers a smoldering nugget that lingers on screen long after the moment has passed.
Related
:
Daddy’s Little Girls
,
Madea's Family Reunion
,
Review: Tyler Perry’s Why Did I Get Married Too?
,
More
Daddy’s Little Girls
Tyler Perry secured two likable leads for his new film, and they make Daddy’s Little Girls more enjoyable than it has any right to be.
Madea's Family Reunion
Tyler Perry wrote and starred in the shoddy surprise hit Diary of a Mad Black Woman .
Review: Tyler Perry’s Why Did I Get Married Too?
Just when you thought filmmakers were out of ideas ...
Catch and Release
Of all the characters in Susannah Grant’s punishing romantic comedy, Grady, the former fiancé of Gray (Jennifer Garner), has the least to complain about: he’s dead. Watch the trailer for Catch and Release (QuickTime)
Dan in Real Life
What's wrong with Steve Carrell?
Something New
Director Sanaa Hamri’s first feature doesn’t attempt something new so much as try to revive something old — it’s yet another romantic comedy with a twist.
Son of Rambow
Funnier than anything in this vaguely dark comedy is the thought of Stallone sitting through it.
Fido
It may sound silly, but director Andrew Currie stews together gore, social commentary, screwball camp, and dark comedy with savory potency.
Baby Mama
Not even SNL’s whipsmart Tina Fey and Amy Poehler can save writer/director Michael McCuller’s pregnancy comedy from its fate as another condescending, self-congratulatory fantasy of maternal bliss.
The Last Holiday
Queen Latifah has the Alec Guinness role as a quietly desperate type with a terminal prognosis in this remake of the 1950 romantic comedy.
Elsa y Fred | Elsa + Fred
Set in modern-day Madrid, Marco Carnevale’s gentle romantic comedy slaps two touchstone images from Italian cinema on the screen.
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ARTICLES BY TOM MEEK
REVIEW: GOD BLESS AMERICA
| May 17, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
REVIEW: THE PIRATES! BAND OF MISFITS
| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
REVIEW: UNDEFEATED
| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
REVIEW: DR. SEUSS' THE LORAX
| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
See all articles by:
TOM MEEK
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