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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Walk Hard: The Dewey Cox Story
Easy jokes? Absolutely
By
BRETT MICHEL
|
December 19, 2007
WALK HARD: THE DEWEY COX STORY
" alt="photo of 'WALK HARD: THE DEWEY COX STORY'">
3.0
Stars
WALK HARD: John C. Reilly charms.
“Life made him tough. Love made him strong. Music made him hard.” His name? Dewey Cox. Easy jokes? Absolutely. But under the direction of Jake Kasdan (
The TV Set
) and the guiding hand of his producer and co-writer, Judd Apatow (
Knocked Up
and
Superbad
), this send-up of
Walk the Line
,
Ray
, and damn near every musical bio-pic ever made swings for the fences and makes it at least to third. Granted, we’re talking softball, but when John C. Reilly is your pitcher, you’re halfway to the pennant. Reilly’s Cox is an addled charmer who never met a drug he didn’t become addicted to –– prodded on by long-time bandmate Sam, gamely played by Tim Meadows (“Don’t do it!”) –– and then kick, or a hole he didn’t fuck. (Was that a penis on screen?) He also has no sense of smell, though that didn’t get in the way of his musical gifts. After all, he learned how to play “by ear.” Stupid? Sure, but laced with a strange sense of logic, like the gag that follows the end credits . . .
98 minutes | Boston Common + Fenway + Fresh Pond + Circle/Chestnut Hill + suburbs
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Rock and roles
A good number of the jokes in Walk Hard: The Dewey Cox Story are available for your amusement right now, well ahead of the film’s December 21 theatrical-release date.
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The best films of 2007 hold their own when it comes to despair, evil, and treachery.
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You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out of its receiver.
The Promotion
Reilly is an actor who excels at both realism and caricature — too bad the director doesn’t have the chops to take advantage either way.
Pot luck
Pineapple Express is the movie Knocked Up might have been had it not copped out.
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Eddie Murphy proves he doesn't need a fat suit to play soft in Karey Kirkpatrick's surprisingly nuanced family comedy.
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Mel Brooks and the lads from Monty Python stormed through this territory with fierce farce. Here there's little farce, just a fusillade of flaccid dick jokes.
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Cuteness, of course, is the collective cultural cure-all to our problems.
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ARTICLES BY BRETT MICHEL
REVIEW: FOR GREATER GLORY
| May 29, 2012
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
See all articles by:
BRETT MICHEL
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