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Shaggy frog

By BRETT MICHEL  |  February 20, 2008

And Mos Def?
Well, I think he’s a very deep actor. As you pointed out, I worked with him when I did Block Party with Dave Chappelle, and he was easily the most charismatic actor . . . equally with Dave, but he’s more of an actor, inside. He has this quality — just by looking at him, you feel something going on deep inside him. And he’s a lower-energy character than Jack, with more inside, so it was a very good pair.

They play small characters who come into their own, the catalysts for bringing the community together to tell their story, even if that story is based on fiction.
Yes, exactly. We underestimate ourselves. I had a French teacher when I was in seventh grade. She told us at the beginning of the year that our story is as interesting as anybody else’s. She was trying to unlock our fear or embarrassment to tell our stories, and I think that’s a very good point that I took in and I always remember and I try to express that in this film.

Isn’t it a bit anachronistic that people are still watching movies on VHS in your film?
Well, I know that my mother could not work a DVD player, and I’ll tell you exactly why. It’s very simple: with a DVD, when you press “PLAY,” you’re not pressing “PLAY,” you’re asking the system if it wants to play! You have to wait for it to say, “Yeah, okay, I’m going to play your DVD,” but with video, you press an actual button and get your immediate order. I can see why my mother wouldn’t like it. Sometimes, when your DVDs get scratched, you’d be happy to have VHS, because VHS, even when as bad as possible, you can always get the information out.

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Related: Be Kind Rewind, Dream job, Primary concerns, More more >
  Topics: Features , Celebrity News, Entertainment, Hip-Hop and Rap,  More more >
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ARTICLES BY BRETT MICHEL
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  •   REVIEW: THE HOUSE OF THE DEVIL  |  December 02, 2009
    Have you walked near a college campus lately? You might notice that the ’80s are creeping into fashion, the way the ’70s did a few years back, and with the same lack of irony. It’s happening in cinemas, too — something that’s not entirely unwelcome when it comes to the horror genre.
  •   REVIEW: RED CLIFF  |  November 25, 2009
    Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?
  •   INTERVIEW: GABOUREY SIDIBE  |  November 18, 2009
    "While reading the book, I realized that I knew this girl in so many different people. Not just girls but boys, and not just black people but white and Asian and Indian."
  •   REVIEW: MICHAEL JACKSON'S THIS IS IT  |  November 12, 2009
    The Star Wars –style titles that begin Kenny Ortega’s hastily assembled Michael Jackson tribute documentary explain that the film has been whittled down from 100 hours of behind-the-scenes video shot between last April and June during rehearsals for the King of Pop’s planned 50-date “This Is It” London concert series.
  •   INTERVIEW: LONE SCHERFIG  |  November 16, 2009
    Born in Denmark in 1959, Lone Scherfig first gained international attention in 2000 with Italian for Beginners, a charming little film that won her the Silver Bear at the Berlin Film Festival. A couple of years later, she followed up with Wilbur Wants to Kill Himself, her first English-language effort, filmed in Scotland and starring Adrian Rawlins and Shirley Henderson.

 See all articles by: BRETT MICHEL

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