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Portuguese man of war

By MICHAEL ATKINSON  |  March 12, 2008

But the richest offering might be  ACTO DE PRIMAVERA|RITE OF SPRING (1963; March 23 at 9 pm), which looks sideways toward Jean Rouch and ahead to Abbas Kiarostami in its use of a northern village’s denizens, whom Oliveira has re-enact their annual day-long Passion Play for the cameras. Neither a documentary nor fiction, the movie is equal parts religious action, masquerade, Kenneth Anger–ish rite, home movie, dissection of moviemaking itself, and, of course, bio-pic of Christ, performed with sacred, clumsy fervor by hundreds of raw worshippers. It’s one of the best films about Christ, because it’s about devotion — its beauties and idiocies — on every level, and it reflects on the dramatic impulse behind religious feeling to boot.

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Related: Iron Man, Autumn of the patriarchs, Last man standing, More more >
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ARTICLES BY MICHAEL ATKINSON
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  •   WILLIAM FRIEDKIN AT THE HARVARD FILM ARCHIVE  |  February 11, 2009
    However we may still praise, and therefore bury, the American New Wave, we do still run the genuine risk of slipping down the wormhole slicked by present-moment techno obsessions and amnesiac entertainment-media narcissism.
  •   REVIEW: CHE  |  January 13, 2009
    An ambitious, whole-hog, four-hour-plus bio-pic of Che Guevara, c'mon.
  •   DREAM CATCHER  |  November 25, 2008
    Karen Shakhnazarov at the MFA
  •   ENDS OF THE EARTH  |  November 07, 2008
    Now in its 20th incarnation, the Boston Jewish Film Festival is almost the oldest three-ring circus of its kind (San Francisco’s annual program got there first by nine years), and in that span we’ve seen the elusive idea of “Jewish film” become an institution.
  •   KINO PRAVDA  |  August 26, 2008
    Because Mosfilm, the subject of the Museum of Fine Arts’ “Envisioning Russia” retrospective, was the Soviet state production studio, any cross-section of its history lays out the entirety of Soviet film history.

 See all articles by: MICHAEL ATKINSON

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