The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Features  |  Reviews
FIND MOVIES
Find a Movie
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

The awful truth

Leo McCarey was better in the ’30s
By STEVE VINEBERG  |  June 2, 2008

080606_mccarey_main
THE AWFUL TRUTH: A screwball comedy reimagined as a comedy of remarriage.

“Leo McCarey, Screwball and Beyond” | Harvard Film Archive | June 8-16

“SILENT COMEDY SHORTS” | June 8 at 3 pm
THE AWFUL TRUTH | June 8 at 7 pm
THE MILKY WAY | June 8 at 9 pm
GOING MY WAY | June 9 at 7 pm
RALLY ’ROUND THE FLAG, BOYS! | June 9 at 9:30 pm
LOVE AFFAIR | June 13 at 7 pm
INDISCREET | June 13 at 9 pm
AN AFFAIR TO REMEMBER | June 14 at 7 pm
MAKE WAY FOR TOMORROW | June 14 at 9:15 pm
THE BELLS OF ST. MARY’S | June 15 at 3 pm
RUGGLES OF RED GAP | June 15 at 7 pm
MY SON JOHN | June 15 at 9 pm
DUCK SOUP | June 16 at 7 pm
ONCE UPON A HONEYMOON | June 16 at 8:30 pm

Among the signal directors of 1930s comedies — one thinks of Frank Capra, Howard Hawks, Ernst Lubitsch, and George Cukor — Leo McCarey’s name has been largely forgotten. Yet he was responsible for three of the greatest comedies of the Depression era: Duck Soup (the most sublime of the Marx Brothers movies), Ruggles of Red Gap, and The Awful Truth. He was an odd duck, though, as fond of melodrama as he was of romantic comedy and farce. The retrospective hosted by the Harvard Film Archive beginning this Sunday, “Leo McCarey, Screwball and Beyond,” is long overdue.

McCarey was brought up in the Hal Roach school of silent comedy, which means that by the time he made his first talkie, INDISCREET (which the HFA will screen a rare print of), he’d learned how to work quickly and economically, he’d perfected a kind of visual shorthand, and he’d developed a light, sure touch with actors. The series begins with a program of his comic shorts — three late silents starring Laurel and Hardy (including one of their most famous two-reelers, “Big Business”) and one with Charley Chase called “Dog Shy.” “Dog Shy,” the earliest of the quartet, was released in 1926, and it was the 40th short McCarey directed, so he was a veteran long before 1929, when he began to make features. His physical work with Chase and with Stan and Ollie bears fruit in sequences like the astonishingly poetic (and uproarious) human-mirror bit in DUCK SOUP, where Groucho encounters Chico and Harpo dressed up to look like him, or the classic scenes in THE AWFUL TRUTH involving Cary Grant, Irene Dunne, and an expressive wire-haired terrier known as Mr. Smith — played by the same canny canine performer who kept showing up as Asta in the Thin Man pictures. (In “Dog Shy,” Chase is continually being bested by a frisky dog; their charming interchanges are a warm-up for the Mr. Smith episodes.)

1  |  2  |  3  |   next >
Related: Game faces, Mineral cinema, Tinkling symbols, More more >
  Topics: Features , Entertainment, Movies, Movie Reviews,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

Today's Event Picks
ARTICLES BY STEVE VINEBERG
Share this entry with Delicious
  •   PRINCE OF DARKNESS  |  November 18, 2009
    Gordon Willis, the master cinematographer to whom the Harvard Film Archive pays tribute in a seven-film retrospective beginning this Friday,
  •   AWAKE! AWAKE!  |  October 21, 2009
    Sleep No More , the second entry in the American Repertory Theater’s mini-season of revisionist Shakespeare, is the least orthodox production of Macbeth you’re likely to see. In fact, it’s linked to Macbeth as much by poetic allusion as by narrative — which is to say that it’s a little of both.
  •   BRUSH UP YOUR PORTER  |  September 16, 2009
    With its supreme Cole Porter score and its robustly entertaining book by Sam and Bella Spewack, the 1948 Kiss Me, Kate is surely one of the half-dozen best Broadway musicals.
  •   MONSTER MAN AND MORE  |  September 08, 2009
    James Whale's career as a purveyor of marvelous film entertainments was brief.
  •   SINS OF THE PLAY  |  September 02, 2009
    The title of Israel Horovitz's Sins of the Mother (through September 13 at Gloucester Stage) is an ironic misnomer.

 See all articles by: STEVE VINEBERG

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group