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When men were men

By STEVE VINEBERG  |  September 3, 2008

The series’s rarest gem is NOON WINE (September 8 at 7 pm), with brilliant performances by Olivia de Havilland, Per Oscarsson, and especially Jason Robards. Robards plays a dairy farmer who hires a troubled, laconic Swede as a hand and destroys himself in an attempt to defend his employee from a stranger who wishes him harm. One of the most emotional hours ever televised, Noon Wine turned out to be Peckinpah’s ticket back to Hollywood — so it has double value, both in itself and in where it led its director. It shouldn’t be missed.

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Related: Appaloosa, The Boston Phoenix–Alumni Film Critics’ Poll, Are we grading on a curve?, More more >
  Topics: Features , Entertainment, Movies, Bob Dylan,  More more >
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ARTICLES BY STEVE VINEBERG
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  •   PRINCE OF DARKNESS  |  November 18, 2009
    Gordon Willis, the master cinematographer to whom the Harvard Film Archive pays tribute in a seven-film retrospective beginning this Friday,
  •   AWAKE! AWAKE!  |  October 21, 2009
    Sleep No More , the second entry in the American Repertory Theater’s mini-season of revisionist Shakespeare, is the least orthodox production of Macbeth you’re likely to see. In fact, it’s linked to Macbeth as much by poetic allusion as by narrative — which is to say that it’s a little of both.
  •   BRUSH UP YOUR PORTER  |  September 16, 2009
    With its supreme Cole Porter score and its robustly entertaining book by Sam and Bella Spewack, the 1948 Kiss Me, Kate is surely one of the half-dozen best Broadway musicals.
  •   MONSTER MAN AND MORE  |  September 08, 2009
    James Whale's career as a purveyor of marvelous film entertainments was brief.
  •   SINS OF THE PLAY  |  September 02, 2009
    The title of Israel Horovitz's Sins of the Mother (through September 13 at Gloucester Stage) is an ironic misnomer.

 See all articles by: STEVE VINEBERG

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