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Sin city

By PETER KEOUGH  |  November 7, 2008

Not only does the Iranian cinema explore feminist issues more boldly than we do, but there are probably more female directors in the Mohsen Makhmalbaf family alone than in most Hollywood studios. The veteran filmmaker's three daughters have been making films since they were teenagers, and 20-year-old Hana Makhmalbaf's second film, Buddha Collapsed Out of Shame (2008; November 14 at 6 pm; November 22 at 12:15 pm), draws on the slower, more austere and visually poetic style of filmmaking practiced by her father and Abbas Kiarostami.

Like the latter, she focuses on children — a pre-school-age Afghan girl and boy who live in caves in the cliffside where the Taliban blew up the giant statues of Buddha in 2001. The little girl wants to learn to read, and in her quest to buy a notebook and enter a classroom, she runs afoul of a gang of boys playing war games — alternately as the Taliban and as the Americans. Ranging from simple to simplistic, the film nonetheless underscores the injustice and intolerance that might lie at the heart of Iran's current unrest.

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ARTICLES BY PETER KEOUGH
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    Nicolas Cage is at his best in Bad Lieutenant
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    John Hillcoat doesn't stray from Cormac McCarthy's Road For those who found the Coen Brothers' adaptation of Cormac McCarthy's No Country for Old Men too lighthearted, John Hillcoat's relentlessly faithful version of the author's post-apocalyptic Pulitzer-winning novel might hit the spot.
  •   INTERVIEW: NICOLAS CAGE  |  November 24, 2009
    "When people like to label any kind of performance as over the top, I suggest that if you were to go to the Guggenheim and look at a Francis Bacon, would you call that over the top?"
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    In The Royal Tenenbaums and The Life Aquatic with Steve Zissou, Wes Anderson excelled at telling adult stories with childlike whimsy. Telling children’s stories with adult whimsy is another matter.
  •   SWINE FEVER: AN EVENING WITH HUNTER S. THOMPSON  |  November 24, 2009
    Only Hunter S. Thompson could come up with a line like that; no one else had his knack for the near-Biblical proverb. Few writers outside of Madison Avenue or the New Testament can sum up a zeitgeist so cannily in a phrase.

 See all articles by: PETER KEOUGH

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